HUMMEL EDITION - SBĚRATELSKÁ EDICE (20CD)

HUMMEL EDITION

CD1
Sonata No.1 in C Op.2a No.3
1 I. Allegro spiritoso 7’30
2 II. Adagio 4’20
3 III. Rondo 5’56
Sonata No.4 in C Op.38
4 I. Adagio Maestoso – Allegro mod(era)to 14’16
5 II. Adagio con molto espressione 9’22
6 III. Finale: Prestissimo 6’44
7 Fantasina in C on themes from Le nozze di Figaro Op.124 6’36
Costantino Mastroprimiano fortepianos
Urbano Petroselli after Anton Walter, c.1790 (1–6)
Érard ‘en forme de clavecin’, 1838 (7)
Total time: 54’50
Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–6) April 2017, Verbania, Italy (7)

CD2
Sonata No.2 in E flat Op.13
1 I. Allegro con brio 9’00
2 II. Adagio con grand espressione 6’44
3 III. Finale. All(egr)o con spirito 8’49
Sonata No.5 in F sharp minor Op.81
4 I. Allegro 9’21
5 II. Largo con molt’espressione 9’00
6 III. Vivace 9’20
Costantino Mastroprimiano fortepianos
Urbano Petroselli after Anton Walter, c.1790 (1–3)
Érard ‘en forme de clavecin’, 1838 (4–6)
Total time: 52’21
Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–3)

CD3
Sonata No.3 in F minor Op.20
1 I. All(egr)o moderato 9’10
2 II. Adagio Maestoso – 6’56
3 III. Presto – Ancor più presto 4’51
Sonata No.6 in D Op.106
4 I. Allegro moderato ma rissoluto 12’57
5 II. Un scherzo all’antica: Allegro non troppo 4’17
6 III. Larghetto a capriccio 5’34
7 IV. Finale: Allegro vivace 7’15
Costantino Mastroprimiano fortepianos
Urbano Petroselli after Anton Walter, c.1790 (1–3)
Érard ‘en forme de clavecin’, 1838 (4–7)
Total time: 51’08
Recording: January 2017, Oratorio di Santa Cecilia, Perugia (1–3)
April 2017, Verbania, Italy (4–7)

CD4
Fantasie for piano in G minor Op.123
on themes by Hummel
& Sigismond Neukomm
1 Introduzione 1’09
2 The Hunter’s Song 2’20
3 Marcia 2’55
4 The Bloodhound 2’45
5 The Roaming Mariners 3’04
world-premiere recording
Fantasie for piano in E flat Op.18
6 Lento – Allegro con fuoco 8’04
7 Larghetto e cantabile 8’37
8 Allegro assai 4’26
9 Presto 2’15
10 Rondo quasi una fantasiafor piano in E Op.19 8’22
6 Bagatelles for piano Op.107
11 III. La contemplazione 9’03
Fantasia for piano in C WoO 8, S.190 ‘Recollections of Paganini’
12 Caprice 3’20
13 Quartetto 3’05
14 Rondo 1’40
15 Campanella 1’41
16 Fantasina in C on themes from Le nozze di Figaro Op.124 5’43
Madoka Inui piano
Total time: 68’37
Recording: 26–28 July 2005, Studio 3, ORF Funkhaus, Vienna

CD5
Amusement Op.108
1 I. Allegro moderato 5’34
2 II. Andante cantabile 3’37
3 III. Rondo: Allegretto 4’48
4 Rondo brillant in G Op.126 17’03
5 Introduction and Variations on a German song Op. posth. 2 13’50
Viola Sonata in E flat Op.5 No.3
6 I. Allegro moderato 8’02
7 II. Adagio cantabile 5’03
8 III. Rondo con moto 6’31
Luigi Bianchi violin (1–5) Stradivari ‘Colossus’, 1716
viola (6–8) Michael Boller, Mittenwald 1778 (Luigi Ghezzi Collection, Rome)
Aldo Orvieto piano
Total time: 64’33
Recording: 17–19 May 1998, Dynamic’s, Genoa, Italy

CD6
1 Grand Potpourri National (Giuliani’s Op.93) 23’54
Claudio Maccari terz guitar
Giovanni Togni fortepiano
2 Potpourri Op.53 11’09
Izhar Elias guitar C. Guadagnini, 1812
Michael Tsalka fortepiano J. Böhm, 1820
Grande Sonate in A Op.104
(dedicated to Her Imperial Highness Maria Pavlovna)
3 I. Allegro amabile e grazioso 10’28
4 II. Un poco adagio e con espressione 5’44
5 III. Rondo: Allegro vivace un poco 6’13
Marco Testori cello
Costantino Mastroprimiano piano
Total time: 57’48
Recording: October 2009, Auditorium BPL, Lodi, Italy (1);
5–6 March & 30–31 August 2015, Museum Geelvinck Hinlopen Huis,
Amsterdam, The Netherlands (2); November 2015,
Sala ‘Note Romantiche’, Verbania, Italy (3–5)

CD7
Flute and Piano Sonata in G Op.2a No.2
1 I. Allegro 6’09
2 II. Romanze: Poco andante 4’42
3 III. Rondo 4’48
Flute and Piano Sonata in D Op.50
4 I. Allegro con brio 7’06
5 II. Andante 2’43
6 III. Rondo pastorale 4’53
Flute and Piano Sonata in A Op.64
7 I. Allegro con garbo 4’53
8 II. Menuetto moderato 4’52
9 III. Rondo: vivace 4’18
10 Grand Rondeau brillant in G Op.126 15’25
Trio in A Op.78
for flute, cello and piano
11 Introduction: Cantabile 3’28
12 Thema: Quasi allegretto 0’53
13 Variation 1 1’16
14 Variation 2 1’14
15 Variation 3 0’47
16 Variation 4 1’41
17 Variation 5 1’00
18 Variation 6 2’38
19 Variation 7: Finale – Rondo 2’43
Lise Daoust flute
Elizabeth Dolin cello (11–19)
Carmen Picard piano
Total time: 75’31
Recording: February 1995, Église Saint-Alphonse-de-Rodriguez, Quebec, Canada

CD8
Trio in E flat Op.12
1 I. Allegro agitato 6’48
2 II. Andante 7’19
3 III. Finale: Presto 4’42
Trio in F Op.22
4 I. Allegro moderato 4’19
5 II. Andante con variazioni 5’15
6 III. Rondo alla turca: Vivace 3’56
Trio in G Op.35
7 I. Allegro con brio 5’48
8 II. Tempo di minuetto 4’26
9 III. Rondo: Vivace e scherzando 4’09
Trio in G Op.65
10 I. Allegro con spirito 6’11
11 II. Andante grazioso 5’52
12 III. Rondo: Vivace assai e scherzando 3’49
Daniela Cammarano violin
Luca Magariello cello
Alessandro Deljavan piano
Total time: 62’42
Recording: 25–27 October 2013, Teatro Comunale, Atri, Italy

CD9
Trio in E Op.83
1 I. Allegro 12’16
2 II. Andante 7’56
3 III. Rondo 9’58
Trio in E flat Op.93
4 I. Allegro con moto 9’03
5 II. Un poco larghetto 8’03
6 III. Rondo: Allegro con brio 6’40
Trio in E flat Op.96
7 I. Allegro con spirito 7’01
8 II. Andante quasi allegretto 4’10
9 III. Rondo alla russa: Allegro vivace 6’14
Daniela Cammarano violin
Luca Magariello cello
Alessandro Deljavan piano
Total time: 71’26
Recording: 25–27 October 2013, Teatro Comunale, Atri, Italy

CD10
Quintet in D minor Op.74
1 I. Allegro con spirito 14’57
2 II. Menuetto o scherzo: Allegro 5’54
3 III. Andante con variazioni 8’29
4 IV. Finale: Vivace 8’29
Quintet in E flat minor Op.87
5 I. Allegro e risoluto assai 9’47
6 II. Menuetto – Allegro con fuoco 5’51
7 III. Largo 2’06
8 IV. Allegro agitato 5’13
Nepomuk Fortepiano Quintet
Franc Polman violin
Elisabeth Smalt viola
Jan Insinger cello
Pieter Smithuijsen double bass
Riko Fukuda fortepiano
Total time: 60’58
Recording: 5–7 July 2009, Westvestkerk, Schiedam (1–4);
20–22 February 2006, Doopsgezinde Kerk, Deventer (5–8), The Netherlands

CD11
Septet in D minor Op.74
for piano, flute, oboe, horn, viola, cello & double bass
1 I. Allegro con spirito 14’05
2 II. Menuetto o Scherzo 6’09
3 III. Andante con variazioni 8’31
4 IV. Finale: Vivace 8’14
Septet in C ‘Military’ Op.114
for piano, flute, clarinet, trumpet, violin, cello & double bass
5 I. Allegro con brio 11’12
6 II. Adagio 8’25
7 III. Menuetto: Allegro 5’12
8 IV. Finale: Vivace 5’52
Aya Okuyama (1–4) · Alessandro Commellato (5–8)
fortepiano Jacob Bertsche, c.1817 (restored Robert Brown, Salzburg)
Solamente Naturali (on period instruments)
Sharman Plesner violin (5–8) · Miloš Valent viola (1–4) leader
Lucie Dušková flute · Eduard Wesly oboe · Robert Sebesta clarinet
Jean-Luc Machicot natural trumpet · Rudolf Linner natural horn
Michal Stahel cello · Tibor Nagy double bass
Total time: 67’42
Recording: November 2007, Studio of the Slovak National Radio, Bratislava, Slovakia

CD12
Piano Concerto No.2 in A minor Op.85
1 I. Allegro moderato 16’19
2 II. Larghetto 4’28
3 III. Rondo: Allegro moderato 11’04
Piano Concertino in G Op.73
4 I. Allegro moderato 8’19
5 II. Andante grazioso 3’40
6 III. Rondo 4’21
Introduction & Rondo brillant in F
‘Le Retour à Londres’ Op.127
7 I. Introduction (Largo) 3’40
8 II. Allegretto vivace 11’19
first recordings on period instruments
Alessandro Commellato fortepianos Joseph Böhm, Vienna 1825
Ignace Pleyel, Paris 1837
Solamente Naturali (on period instruments)
Didier Talpain
Total time: 63’16
Recording: November 2009, August–September 2010,
Studio of the Slovak National Radio, Bratislava, Slovakia

CD13
Concerto for piano, violin & orchestra in G Op.17
1 Allegro con brio 14’28
cadenza: J.N. Hummel
2 Andante con variazioni (Andante con moto) 9’55
3 Rondo 8’20
cadenza: A. Commellato
Alessandro Commellato fortepiano Böhm. Vienna 1825
Stefano Barneschi violin Giacinto Santagiuliana, 1830
Orchestra da Camera Milano Classica (on period instruments)
Didier Talpain
Piano Concerto No.3 in B minor Op.89
4 Allegro moderato 18’04
5 Larghetto – Finale: Vivace 19’38
Hae-won Chang piano
Budapest Chamber Orchestra
Támás Pál
Total time: 70’37
Recording: 11–13 January 2018, L’Auditorium – Seregno (Monza & Brianza), Italy (1–3);
29–30 May 1987, Budapest, Hungary (4–5)

CD14
Piano Concerto No.4 in E ‘Les Adieux’ Op.110
1 I. Allegro pomposo e spirituoso 14’11
2 II. Andante con moto 6’45
3 III. Rondo: Allegro moderato ma con brio 10’57
Hans Kann piano
Hamburg Symphony Orchestra / Heribert Beissel
24 Etudes for piano Op.125
4 No.1 0’57
5 No.2 1’23
6 No.3 1’47
7 No.4 1’58
8 No.5 2’04
9 No.6 2’18
10 No.7 1’26
11 No.8 2’04
12 No.9 0’54
13 No.10 1’59
14 No.11 1’21
15 No.12 1’06
16 No.13 1’15
17 No.14 1’42
18 No.15 1’28
19 No.16 2’08
20 No.17 0’57
21 No.18 1’04
22 No.19 1’02
23 No.20 1’03
24 No.21 1’45
25 No.22 4’11
26 No.23 1’18
27 No.24 2’15
Mary Louise Boehm piano
Total time: 71’42
Recording: 1973, Südwest Tonstudio, Stuttgart (1–3); 1974 (4–27)

CD15
Bassoon Concerto in F WoO 23 S.63
1 I. Allegro moderato 11’21
2 II. Romanza: Andatino e cantbile 7’48
3 III. Rondo: Vivace 7’41
Introduction, Theme and Variations in F Op.102
4 I. Introduction: Allegro 3’17
5 II. Theme and Variations: Allegretto 10’47
Clarinet Quartet in E flat WoO 5 S.78
6 I. Allegro moderato 9’45
7 II. La seccatura: Allegro molto 6’40
8 III. Andante: Andante 7’10
9 IV. Rondo: Allegretto 6’33
Claudio Gonella bassoon (1–3)
Diego Dini-Ciacci oboe (4–5)
Orchestra Internazionale d’Italia / Diego Dini-Ciacci (1–5)
Fabrizio Meloni clarinet · Andrea Pecolo violin · Luca Ranieri viola · Mario Finotti cello (6–9)
Total time: 71’04
Recording: 29–30 July 1996. Teatro Alaleona – Montegiorgio, Macerata, Italy (1–5);
18 February 1997, Sala Maffaeina, Verona, Italy (6–9)

CD16
Trumpet Concerto in E WoO 1 S.49
1 I. Allegro con spirito 9’16
2 II. Andante 4’28
3 III. Rondo 3’18
Virtuosi Saxoniae
Ludwig Güttler trumpet & conductor
Mandolin Concerto in G S.28
4 I. Allegro moderato e grazioso 9’11
5 II. Andante con variazioni 5’02
6 III. Rondo 5’50
Edith Bauer-Slais mandolin
Vienna Pro Musica Orchestra
Vinzenz Hladky
Rondo for piano in G ‘La galante’ Op.120
7 I. Introduzione: Larghetto e cantabile 3’02
8 II. Rondo: Allegro grazioso 5’17
Martin Galling piano
Violin Concerto in G
(completed G. Rose)
9 I. Allegro risoluto 15’21
10 II. Adagio 2’53
11 III. Rondo 9’08
cadenza: G. Rose
Alexander Trostianski violin
Russian Philharmonic Orchestra
Gregory Rose
Total time: 73’19
Recording: 14–30 September 2004, Studio 5,
Russian State TV and Radio Company KULTURA, Moscow, Russia (9–11)

CD17
1 Te Deum in D for choir & orchestra WoO 16 S.70 11’25
edited by Allan Badley for Artaria
New Zealand/Schott Music
Missa Solemnis in C for soloists, choir & orchestra WoO 12 S.74
Dresden version (1806), edited by John Eric Floreen
2 Kyrie 6’28
3 Gloria 6’25
4 Credo 9’54
5 Sanctus 3’46
6 Benedictus 7’19
7 Agnus Dei 7’01
8 Alma Virgo Op.89a 6’49
Offertorium in F for soprano, choir & orchestra
Ed. Symetrie/Lyon based on the Haslinger edition/Vienna (1827)
Andrea Cajová soprano · Zuzana Dunajcˇanová alto
Ondrej Šaling tenor · Rastislav Uhlár bass
Chorus Alea chorus master Branislav Kostka
Solamente Naturali (on period instruments)
Miloš Valent violin (5) · Eduard Wesly oboe (8)
Didier Talpain
Total time: 59’12
Recording: September 2007, Studio of the Slovak National Radio, Bratislava, Slovakia

CD18
Der Durchzug durchs rote Meer WoO 11 S.33
Oratorio for soloists, choir & orchestra
Part 1
1 Intrada 7’32
2 Aus der Tiefe unsers Elends 3’36
3 Recitative: Und immer schwerer lastet das Joch der Sklaverei 1’13
4 Aria: Ich, eurer Vater Gott 5’11
5 Der Herr hat unser Geschrei erhört 3’25
6 Es macht der Herr durch unsern Mund, dir König, seinen Willen kund 1’53
7 Recitative: Verblendet war des Königs Sinn 2’47
8 Aria: Ich schwebe auf des Todes Fittich 2’39
Part 2
9 Recitative: Ein groß Geschrei ging aus 1’30
10 Der Herr hat unser Trübsal geseh’n 5’55
11 Recitative: Sie zogen aus, gewaffnet durch die Wuste 1’19
12 Aria: Und Moses streckte aus die Hand 5’44
13 Recitative: Es warf das Meer die Toten ans Gestade 0’33
14 Jehova ist ein Kriegesheld 7’46
Israelitin/Mädchen: Simone Kermes soprano · Miriam/Eine Frau: Veronika Winter soprano
Aaron/Ein Jüngling/Würgeengel: Hans Jörg Mammel tenor
Moses: Ekkehard Abele bass · Israelit/Ein Mann: Wolf Matthias Friedrich bass
Rheinische Kantorei
Das kleine Konzert
Hermann Max
Total time: 51’12
Live recording: 22 September 2004, Knechtsteden Abbey, Dormagen, Germany

CD19
Mathilde von Guise Op.100 revised Weimar version (1821)
Opera in three acts · Libretto after Mademoiselle de Guise by Emmanuel Mercier-Dupaty
1 Overture in E flat (Andante – Allegro molto) 6’17
Act I
2 Recitative and aria in A flat: Chi mai saprà spiegar Beaufort 7’40
(Adagio sostenuto – Allegro moderato)
3 Terzettino in A: Con lui solo parlerò 2’06
Baroness · Beaufort · Nicolò
(Allegro comodo)
4 Pezzo concertato with choir in A:
Il ciel le dia felicità! Chorus 8’46
(Allegro con spirito – Allegro moderato –
Tempo di marcia – Allegro vivace)
5 Duet and trio in D: Mi fà felice amor 4’40
Mathilde · Beaufort · Valentino
(Allegro con brio – Adagio e cantabile)
6 Finale in E flat: O ciel! Che sento? 11’04
(Allegro – Allegretto – Allegro – Larghetto –
Allegro vivace)
Act II
7 Duet in G: Tuo amor sol per mè 2’32
Claudina · Valentino
(Allegro molto)
8 Scena and aria in B flat:
O ciel, che intensi mai? Mathilde 8’33
(Allegro spiritoso – Larghetto sostenuto –
Allegro moderato)
9 Trio in E: Rifletter ben fà d’uopo 5’28
Mathilde · Beaufort · Duke
(Allegro imposante – Sempre più vivo)
world-premiere recording
Mathilde: Kristıne Gailıte · Beaufort: Philippe Do · Duke: Pierre-Yves Pruvot
Baroness: Hjördis Thébault · Claudina: Eva Šušková · Valentino: Ondrej Šaling
Nicolò: Martin Mikuš · Leszensky: Marian Olszewsky
Chorus Alea chorus master Branislav Kostka
Solamente Naturali (on period instruments) leader Miloš Valent
Didier Talpain
Total time: 57’15
Recording: September 2008, Studio of the Slovak National Radio, Bratislava, Slovakia

CD20
Mathilde von Guise Op.100 revised Weimar version (1821)
Opera in three acts · Libretto after Mademoiselle de Guise by Emmanuel Mercier-Dupaty
1 Scene and aria in D: Riuscito sono al fin Duke 5’36
(Allegro con spirito – Larghetto – Allegro –
Larghetto dolce – Allegro)
2 Trio in B flat: Il cor brillar mi sento 5’39
Mathilde · Baroness · Beaufort
(Allegro giusto)
3 Finale in D: Viva il nostro buon Signor 6’48
(Allegro con brio – Vivace)
Act III
4 Vaudeville in G: Venite tutti quanti 3’00
Claudina · Nicolò · Valentino · Chorus (Allegro)
5 Romanza in D: L’ombrosa notte, vien 3’29
Mathilde (Larghetto)
6 Duet in A minor:
O ciel! Resistere non posso 5’33
Mathilde · Beaufort
(Allegro moderato – Larghetto – Allegro vivo)
Hymn in F: Padre nostro, gran Signor 1’08
Chorus (Adagio assai)
8 Pezzo concertato with choir in C: Pria che spunti il nuovo 4’38
Beaufort · Chorus (Allegro – Più presto)
9 Finale in D: Son finiti tutti i guai 1’20
(Allegro vivace)
Appendix
10 Overture in C Vienna version (1810) 7’34
(Grave – Allegro con spirito)
11 Pastorale sul palco in D 0’31
for 2 clarinets and 2 horns
in a stage performance this would
precede the Finale of Act II
world-premiere recording
Mathilde: Kristıne Gailıte · Beaufort: Philippe Do · Duke: Pierre-Yves Pruvot
Baroness: Hjördis Thébault · Claudina: Eva Šušková · Valentino: Ondrej Šaling
Nicolò: Martin Mikuš · Leszensky: Marian Olszewsky
Chorus Alea chorus master Branislav Kostka
Solamente Naturali (on period instruments) leader Miloš Valent
Didier Talpain
Total time: 45’25
Recording: September 2008, Studio of the Slovak National Radio, Bratislava, Slovakia