GONZALO DE BAENA: Arte Novamente Inventada (Part 1 & 2) (2CD)

Arte de Tanger
The New Keyboard Method by Gonzalo de Baena (c.1480–after 1540)
CD1 61’21
Cristóbal de Morales c.1500–1550
1 In diebus illis 3’48
Juan de Urreda c.1430–c.1482
2 Two verses of a Magnificat 3’30
João de Badajoz c.1460–after 1521
3 Pange lingua 1’48
Juan Anchieta c.1462–1523
4 Congratulamini mihi omnes 3’01
Anonymous
5 Kyrie eleison de Nuestra Señora 3’01
Francisco de Peñalosa c.1470–1528
6 Unica est columba mea 2’24
7 Kyrie eleison 4º tono 1’28
8 Kyrie eleison 8º tono 1’18
Anonymous
9 Conditor alme siderum 2’19
Pedro de Escobar c.1465–c.1535
10 Clamabat autem mulier cananea 3’48
11 [No title] 0’46
12 Patrem omnipotentem 2’21
Anonymous
13 Jesu nostra redemptio 2’06
Juan García de Basurto c.1480–1547
14 Deposuit potentes 1’25
Gonzalo de Baena c.1480–after 1540
15 Si dedero 1’24
16 Ave maris stella 1’24
Antonio de Baena †after 1562
17 Agnus Dei (Mass Fa–re–mi–re) 4’51
18 Kyrie eleison 1’21
19 Sanctus (Mass Sol–la–la–fa–re) 7’18
20 Pleni sunt 1’58
21 Kyrie eleison 6º tono 5’36
22 Sanctus (canon) 2’32
Total time 61’21
CD2
Johannes Ockeghem c.1410–1497
1 Domine deus 1’36
Loyset Compère c.1450–1518
2 1º tono 1’01
3 Credo 5’17
4 Et iterum venturus est cum gloria 0’52
Josquin Desprez c.1440–1521
5 Benedictus 1’55
6 Pleni sunt 1’11
7 Agnus Dei 3’17
Jakob Obrecht c.1450–1505
8 Benedictus 0’54
Johannes Ockeghem
9 Sanctus 3’32
Josquin Desprez
10 Benedictus (Mass Fortuna desperata) 1’48
11 Pleni sunt (Mass ‘L’Homme armé’ super voces musicales) 2’23
Jakob Obrecht
12 Si sumpsero penas meas 4’04
Josquin Desprez
13 In pace, in idipsum dormiam 3’32
Jakob Obrecht after Alexander Agricola c.1446–1506
14 Si dedero 2’35
Josquin Desprez
15 Gloria 4’32
16 Agnus Dei (Mass Sine nomine) 2’50
17 Sanctus (Mass La–sol–fa–re–mi) 5’04
18 Patrem omipotentem 4’50
Antoine de Févin c.1470–c.1511
19 Agnus Dei 2’24
Antoine Brumel c.1460–c.1520
20 Mater patris 2’38
Matthieu Gascogne †after 1516
21 Agnus Dei (Mass Nigra sum) 3’35
Firmin Caron †after 1475
22 Hélas que pourra devenir 3’29
Alexander Agricola
23 Motete del ciego 9’08
Total time 73’55
Bruno Forst at the Joseph de Sesma organ (1658), Church of Santa Ana, Brea de Aragón (CD1)
& the Gerhard Grenzing organ (2007), Church of San José, Navalcarnero (CD2)
Recording: 9–11 July 2013, Church of Santa Ana, Brea de Aragón, Zaragoza, Spain (CD1);
23–25 April 2014, Church of San José, Navalcarnero, Madrid, Spain (CD2)