VIOLA DA GAMBA Edition (21CD)

VIOLA DA GAMBA EDITION

CD1
JOHN DOWLAND 1563–1626
LACHRIMÆ, OR SEAVEN TEARES FIGURED IN SEAVEN PASSIONATE PAVANS
WITH DIVERS OTHER PAVANS, GALIARDS, AND ALMANDS
for lute and viols or strings in 5 parts
(London, 1604)
The Lachrimae pavans
1 Lachrimae Antiquae  4’12
2 Lachrimae Antiquae Novae  3’45
3 Lachrimae Gementes  3’48
4 Lachrimae Tristes  4’20
5 Lachrimae Coactae  3’40
6 Lachrimae Amantis  3’54
7 Lachrimae Verae  4’07
8 Semper Dowland semper Dolens  6’04
9 Sir Henry Umpton’s Funerall  4’29
10 M. John Langton’s Pavan  3’56
11 The King of Denmark’s Galiard  1’47
12 The Earle of Essex Galiard  1’18
13 Sir John Souch his Galiard  1’21
14 M. Henry Noell his Galiard  1’49
15 M. Giles Hoby his Galiard  1’20
16 M. Nicho. Gryffith his Galiard  1’47
17 M. Thomas Collier his Galiard  1’20
with 2 trebles
18 Captaine Piper his Galiard  2’38
19 M. Bucton his Galiard  1’21
20 Mrs. Nichol’s Almand  1’12
21 M. George Whitehead his Almand 1’12

Miguel Rincón Rodriguez lute 10 course, Barber–Harris, 1992
Fiorenza de Donatis viola da braccio anonymous, 18th century & violin Carlo Antonio Testori, Milan 1749
Andrea Rognoni viola da braccio anonymous, 18th century & violin anonymous, Italian, 1700
Giulia Genini tenor recorder Francesco Li Virghi 2007, after Rafi
Marco Casonato tenor viol Paolo Biordi, Florence 2004, after an original early 17th-century Italian model,
Rodney Prada bass viol Carlos Pineda, Cremona/Córdoba 2018, after a Stradivari model
Noelia Reverte bass viol Carlo Chiesa, 2017, after Colichon
Rosita Ippolito viol Adriano & Riccardo Coleati Rama, Brunico 2017, after an original 17th-century Brescian model
Cristiano Contadin treble viol anonymous, early 18th century & conductor

Total time  59’32

Recording: 17-19 April 2018, Radio Svizzera Italiana studio of Lugano, Switzerland

CD2
DIEGO ORTIZ c.1510–c.1570
TRATTADO DE GLOSAS (Rome, 1553)
1 Recercata 1a sopra un tenore  2’02
2 Recercata 2a sopra un tenore  1’23
3 Recercata 3a sopra un tenore  1’33
4 Recercata 4a sopra un tenore  1’42
5 Recercata 5a sopra un tenore  1’58
6 Recercata 6a sopra un tenore  1’32
7 Recercata 7a sopra un tenore  1’35
8 Recercata 8a sopra un tenore  2’39
9 Quinta pars sopra un tenore  2’34
10 ‘O felici occhi miei’ by Jacques Arcadelt  1’45
11 Recercata 1a sopra ‘O felici occhi miei’  1’39
12 Recercata 2a sopra ‘O felici occhi miei’  1’38
13 Recercata 3a sopra ‘O felici occhi miei’  1’45
14 Recercata 4a sopra ‘O felici occhi miei’  1’41
15 ‘Doulce Memoire’ by Pierre Sandrin  2’48
16 Recercata 1a sopra ‘Doulce Memoire’  2’25
17 Recercata 2a sopra ‘Doulce Memoire’  2’37
18 Recercata 3a sopra ‘Doulce Memoire’  2’27
19 Recercata 4a sopra ‘Doulce Memoire’  2’12
20 Recercata 1a  1’33
21 Recercata 2a  1’23
22 Recercata 3a  1’20
23 Recercata 4a  1’11
24 Recercata 1a sopra canto piano  1’33
25 Recercata 2a sopra canto piano  1’38
26 Recercata 3a sopra canto piano  1’56
27 Recercata 4a sopra canto piano  1’49
28 Recercata 5a sopra canto piano  1’15
29 Recercata 6a sopra canto piano  1’16

SILVESTRO DI GANASSI DAL FONTEGO 1492–c.1550
REGOLA RUBERTINA (Venice, 1542)
30 Recerchar 1o  1’07
31 Recerchar 2o  0’44
32 Recerchar 3o  0’49
33 Recerchar 4o  1’34
LETTIONE SECONDA (Venice, 1543)
34 Recercar 1o (chapter XV)  0’59
35 Recercar 2o (chapter XV)  1’08
36 Recercar 1o (chapter XX)  1’04
37 Recercar 2o a sola voce (chapter XX)  0’34
38 Io vorei Dio d’amore (chapter XX)  1’43

world-premiere recordings (30–38)

Bettina Hoffmann bass & soprano viols
MODO ANTIQUO on period instruments
Andrea Perugi harpsichord, organ & alto viol · Gian Luca Lastraioli, Daniele Poli lute & guitar
Lisa Nocentini tenor & bass viols · Rosita Ippolito, Francesca Chiocci,
Federico Maria Sardelli bass viols · Paolo Fanciullacci violone · Mya Fracassini soprano
Alessandro Carmignani alto · Paolo Fanciullacci tenor · Marcello Vargetto bass

Total time  64’39

Recording: June 1997, Oratorio di San Francesco Poverino, Florence, Italy

CD3
HENRY PURCELL 1658/59–1695
COMPLETE FANTASIAS
1 No.1 in D minor Z732 (a3)  2’55
2 No.2 in F Z733 (a3) 3’16
3 No.3 in G minor Z734 (a3)  2’23
4 No.4 in G minor Z735 (a4)  3’35
5 No.5 in B flat Z736 (a4)  4’10
6 No.6 in F Z737 (a4)  3’32
7 No.7 in C minor Z738 (a4)  4’03
8 No.8 in D minor Z739 (a4)  3’41
9 No.9 in A minor Z740 (a4)  4’01
10 No.10 in E minor Z741 (a4)  3’34
11 No.11 in G Z743 (a4)  3’20
12 No.12 in D minor Z743 (a4)  3’07
13 No.13 in A minor Z744 (a4, incomplete)  1’06
14 Fantasia upon One Note (a5)  2’55
15 In Nomine Z746 (a6)  2’02
16 In Nomine Z747 (a7)  3’29

Musica Amphion on period instruments
Rémy Baudet · Elisabeth Ingenhousz (8, 10–11, 13–16) violins
Johannes Boer · Nanneke Schaap · Ricardo Rodriguez · Nicholas Milne (15–16)
Frank Wakelkamp (16) viols
Pieter-Jan Belder

Total time  51’16

Recording: June 2007, Doopsgezinde Kerk, Deventer, Netherlands

CD4
MICHEL CORRETTE 1707–1795
SONATAS OP.20 ‘LES DÉLICES DE LA SOLITUDE’
6 Sonatas for viola da gamba and b.c.
Sonata No.1 in F
1 Fuga: Allegro – Aria: Affettuoso – Allegro  7’22
Sonata No.2 in D minor
2 Allegro – Aria I: Affettuoso – Aria II – Allegro staccato  8’51
Sonata No.3 in C
3 Allemanda: Allegro – Sarabanda – Fuga da capella: Allegro  8’05
Sonata No.4 in B flat
4 Adagio – Corrente – Aria: Affettuoso – Bruit de chasse: Allegro  7’35
Sonata No.5 in G
5 Preludio: Presto – Allemanda: Allegro – Sarabanda – Presto  8’46
Sonata No.6 in D
6 Allegro moderato – Aria: Affettuoso – Giga: Allegro  8’33
Concerto ‘Le Phénix’ in D
7 Allegro – Adagio – Allegro  8’28

Opera Prima Ensemble
François de Rudder bassoon
Federico Toffano cello
Roberto Loreggian harpsichord & organ
GianMichele Costantin organ (4, 6–7)
Cristiano Contadin viola da gamba & director

Total time  57’48

Recording: 14–15 July 2015, Abbazia di Santa Maria delle Carceri, Padova, Italy

CD5
J.S. BACH 1685–1750
Sonata No.1 in G BWV1027
1 I. Adagio  4’23
2 II. Allegro ma non tanto  4’00
3 III. Andante  2’24
4 IV. Allegro moderato  3’24
Sonata No.2 in D BWV1028
5 I. Adagio  2’13
6 II. Allegro  3’53
7 III. Andante  5’03
8 IV. Allegro  4’28
Sonata No.3 in G minor BWV1029
9 I. Vivace  5’53
10 II. Adagio  6’57
11 III. Allegro  4’08

Patxi Montero viola da gamba
Daniele Boccaccio organ Francesco Zanin, 2006

Total time  46’25

Recording: 26–28 March 2015, Sant’Antonio Abate, Padova, Italy

CD6
JOHANNES SCHENCK 1660–after 1716
TYD EN KONST-OEFFENINGEN
Sonata No.9 in D
1 I. Adagio – Allegro – Adagio  2’55
2 II. Allemande  1’59
3 III. Courant  1’28
4 IV. Sarabande  1’21
5 V. Gigue  1’22
Sonata No.1 in D minor
6 I. Adagio 1’20
7 II. Ciacone: Allegro – Adagio  2’09
8 III. Allemande  2’33
9 IV. Courant  1’49
10 V. Sarabande  2’19
11 VI. Gigue  1’54
Sonata No.5 in A minor
12 I. Preludium: Adagio – Allegro – Adagio  1’43
13 II. Allemande  2’14
14 III. Courant  1’25
15 IV. Sarabande  1’26
16 V. Gigue  1’49
Sonata No.11 in C
17 I. Preludium: Adagio – Allegro – Adagio  2’18
18 II. Allemande  2’27
19 III. Courant  1’32
20 IV. Sarabande  2’29
21 V. Gigue  1’18
Sonata No.15 in F
22 I. Adagio  1’41
23 II. Allemande  2’42
24 III. Ciacone  4’47
Sonata No.12 in G minor
25 I. Adagio  1’58
26 II. Allegro – Adagio  1’31
27 III. Allemande  2’33
28 IV. Courant  1’51
29 V. Sarabande I  2’32
30 VI. Sarabande II  1’36
31 VII. Gigue  1’49

Recondita Armonia Ensemble
Lixsania Fernández viola da gamba
Eduardo Egüez theorbo · Esteban Mazer harpsichord
Maria Alejandra Saturno cello

Total time  63’09

Recording: September 2013, Audito Muncipal de Terrassa, Spain

CD7
MARIN MARAIS 1656–1728
PIÈCES DE VIOLE, BOOK V
Suite No.1 in A minor
1 I. Prélude ‘Le Soligni’  2’03
2 II. Allemande ‘La Facile’  1’35
3 III. Sarabande  3’03
4 IV. La Mariée  1’24
5 V. Gavotte  1’22
6 VI. Gigue  1’19
7 VII. Menuet & Double – 2e Menuet  2’26
8 VIII. La Sincope  1’08
9 IX. Petit Caprice  0’39
10 X. Rondeau  2’33
11 XI. La Bagatelle  0’37
12 XII. Fantaisie  1’37
13 XIII. Grande Gavotte  1’32
14 XIV. Gigue ‘La Mutine’  1’40
15 XV. Rondeau moitié pincé et moitié coup d’archet ou tout coup d’archet si l’on veut  4’44
16 XVI. Prélude en harpègement 2’01
Suite No.2 in A
17 I. Prélude  2’13
18 II. Allemande  1’49
19 III. Sarabande  2’40
20 IV. Gigue  1’16
21 V. Marche à la Turque  1’44
22 VI. Gavotte  1’25
23 VII. Menuet – 2e Menuet & Double  2’02
24 VIII. Air gracieux ‘La Petite Bru’  2’21
25 IX. Fantaisie  0’56
26 X. Grand Rondeau  3’40
27 XI. La Babillarde & Double  3’26
28 XII. Chaconne  2’44

Rainer Zipperling viola da gamba François Bodart 1992, after Barbey
Ghislaine Wauters viola da gamba François Bodart 2007, after Bertrand
Pieter-Jan Belder harpsichord

Total time  56’14

Recording: Spring 2013, Chapel of the Capuchin Monastery, Velp (Grave), Netherlands

CD8
MARIN MARAIS 1656–1728
PIÈCES DE VIOLE, BOOK V cont’d
Suite No.3 in F
1 I. Prélude  1’55
2 II. Allemande ‘La Bois Guillaume’  2’06
3 III. Sarabande  3’11
4 IV. Gigue ‘La Demoi’  1’44
5 V. Menuet  0’45
6 VI. 2e Menuet & Double  1’40
7 VII. Gavotte  1’23
8 VIII. Rondeau paysan  2’06
9 IX. Rondeau ‘Le Doucereux’  3’22
10 X. Idée grotesque & Double  2’30
11 XI. Les Forgerons  1’45
12 XII. Le Touché du clavecin  2’22
13 XIII. Prélude en harpègement  2’26
Suite No.4 in D
14 I. Prélude  1’19
15 II. Allemande ‘La Flatteuse’  1’46
16 III. Sarabande  2’56
17 IV. Gigue  1’42
18 V. Gavotte  1’38
19 VI. Menuet  0’41
20 VII. 2e Menuet & Double  1’40
21 VIII. La Fromental –  1’25
22 IX. Double  1’28
23 X. Chaconne  3’42
24 XI. Variation sur une basse contrainte  3’26
25 XII. Fantaisie –  0’48
26 XIII. Double  0’49
27 XIV. Allemande ‘La Dornel’  2’50
28 XV. Allemande du goût des anciens  2’16
29 XVI. Caprice  2’18
30 XVII. Rondeau ‘Le Brillant’  2’18

Rainer Zipperling viola da gamba François Bodart 1992, after Barbey
Ghislaine Wauters viola da gamba François Bodart 2007, after Bertrand
Pieter-Jan Belder harpsichord

Total time  60’04

Recording: Spring 2013, Chapel of the Capuchin Monastery, Velp (Grave), Netherlands

CD9
MARIN MARAIS 1656–1728
PIÈCES DE VIOLE, BOOK V cont’d
Suite No.5 in G minor
1 I. Prélude  2’35
2 II. Fantaisie  0’41
3 III. Allemande ‘La Fréval des loges’  2’08
4 IV. Sarabande  3’06
5 V. Gigue ‘La Pagode’  1’43
6 VI. Gavotte  1’31
7 VII. Menuet  0’54
8 VIII. Allemande ‘La Marianne’  2’28
9 IX. Tombeau pour Marais le cadet  5’43
10 X. Rondeau ‘Le Badin’  2’12
11 XI. La Georgienne dite la Maupertuis  2’44
Suite No.6 in G
12 I. Prélude 1’59
13 II. Allemande ‘La Fière’  1’31
14 III. Sarabande  3’10
15 IV. Gigue ‘La Précieuse’  1’44
16 V. Gavotte  1’28
17 VI. 2e Gavotte  0’57
18 VII. Menuet – 2e Menuet  1’45
19 VIII. Rondeau ‘Le Troilleur’  2’28
20 IX. Chaconne  3’10
21 X. La Tatillone  2’45
22 XI. Saillie du jardin  1’34
23 XII. Gigue ‘La Pointilleuse’  2’26
24 XIII. Le Jeu du volant  1’25
25 XIV. L’Allemande Poisat  2’29
26 XV. Le Rondeau Villeneuve  2’31
27 XVI. Le Petit Badinage  1’48
28 XVII. Dialogue  2’56

Rainer Zipperling viola da gamba François Bodart 1992, after Barbey
Ghislaine Wauters viola da gamba François Bodart 2007, after Bertrand
Pieter-Jan Belder harpsichord

Total time  62’09

Recording: Spring 2013, Chapel of the Capuchin Monastery, Velp (Grave), Netherlands

CD10
MARIN MARAIS 1656–1728
PIÈCES DE VIOLE, BOOK V cont’d
Suite No.7 in E
1 I. Prélude  2’18
2 II. Allemande ‘La Beuron’  2’11
3 III. La Simplicité paysanne  1’21
4 IV. Allemande ‘La Bailly Duchene’  1’47
5 V. Gavotte singulière  1’42
6 VI. 2e Gavotte ‘La Mignonne’  1’31
7 VII. Sarabande  2’49
8 VIII. Menuet  0’39
9 IX. 2e Menuet  0’52
10 X. Resveries mesplaiziennes  4’01
11 XI. Marche Persane dite la Savigny  2’08
12 XII. Rondeau ‘Le Plaisant’  3’11
13 XIII. Gigue ‘La Résolüe’  1’58
14 XIV. Les Amusements  1’47
15 XV. Le Contraste  1’49
16 XVI. Le Caprice: Bellemont  1’36
17 XVII. Le Tableau de l’opération de la taille  3’21
18 XVIII. Les Relevailles  1’41
19 XIX. Suitte  1’20
20 XX. Suitte  1’17
21 XXI. La Poitevine  6’36
22 XXII. La Paraza  2’36
23 XXIII. Le Tact  1’32
24 XXIV. La Même Pièce rendue facile  1’40

Rainer Zipperling viola da gamba François Bodart 1992, after Barbey
Ghislaine Wauters viola da gamba François Bodart 2007, after Bertrand
Pieter-Jan Belder harpsichord
Wout Oosterkamp narrator (17–18)

Total time  52’56

Recording: Spring 2013, Chapel of the Capuchin Monastery, Velp (Grave), Netherlands

CD11
LA VOIX DE LA VIOLE
ROBERT DE VISÉE c.1650–c.1732
1 Prelude in A minor from Suite in D  1’26

MARIN MARAIS 1656–1728
2 Muzette from Suitte d’un goût étranger in F minor (Pièces de viole, Book IV)  2’16 
from Suite No.1 in A minor (Pdv, Book III)
3 Fantaisie  1’48
4 Grand Ballet  5’00
from Suite No.4 in D (Pdv, Book III)
5 Plainte  3’40
6 La Trompette – Menuet  1’25
7 Rondeau  2’23
8 Tombeau pour M. de Ste-Colombe
from Suite No.6 in E minor (Pdv, Book II)  7’11

ANGELO MICHELE BARTOLOTTI c.1615–after 1668
9 Sarabande & Double  3’59

MARIN MARAIS
10 Prélude en harpègement
from Suite No.3 in F (Pdv, Book V)  2’20
11 Bourasque from Suite No.3 in F
(Pdv, Book III)  1’53

GASPARD LE ROUX ?–1707
12 Chaconne  4’09

MARIN MARAIS
13 Les Folies d’Espagne
from Suite No.1 in D minor (Pdv, Book II)  16’42
14 La Rêveuse
from Suitte d’un goût étranger
in F minor (Pdv, Book IV)  4’57

La Bellemont
Sara Ruiz Martinez viola da gamba anonymous, Austrian, c.1700
Rafael Muñoz theorbo Lourdes Uncilla, El Escorial, 1983
Laura Puerto harpsichord Reinhard von Nagel, after a Blanchet model of 1730

Total time  59’17

Recording: 10–12 October 2009, Auditorio de la Hospedería de Fonseca, Salamanca, Spain

CD12
MICHEL FORQUERAY 1681–1757
1 Prélude de Forcroy  1’03

ANTOINE FORQUERAY 1672–1745
Harpsichord Suite No.1 in D minor
2 I. La Borde (Allemande)  4’46
3 II. La Forqueray  3’20
4 III. La Cottin  3’08
5 IV. La Bellmont  3’19
6 V. La Portugaise  3’33
7 VI. La Couperin  3’41
8 Musette  3’26

MICHEL FORQUERAY
9 ‘N’espère plus, jeune Lisette’ (Musette)  1’49

ANTOINE FORQUERAY
Pièces de viole: Suite No.2 in G
10 I. La Bouron  3’09
11 II. La Mandoline  3’24
12 III. La du Breüil  4’23
13 IV. La Leclair  2’42
14 V. La Buisson (Chaconne)  5’11

Magdalena Malec harpsichord
anonymous, Lyon, restored Joseph Collesse, Lyon, 1748 (1–7, 11, 13)
Bruce Kennedy, 1997, after Michael Mietke (8–10, 12, 14)
Christoph Urbanetz viola da gamba Carlo Chiesa, 2000 (8–10, 12, 14)
Sara Ruiz Martinez viola da gamba continuo Carlo Chiesa, 2008 (9–10, 12, 14)
Soetkin Elbers soprano (9)

Total time  46’57

Recording: 27–28 July 2008 (1–7, 11, 13), 1–4 March 2009 (8–10, 12, 14), Castello di Montisi, Italy

CD13
ANTOINE FORQUERAY 1672–1745
1 Allemande  2’34

JEAN-BAPTISTE FORQUERAY 1699–1782
Pièces de viole: Suite No.3 in D
2 IV. La Angrave  3’21
3 V. La du Vaucel  4’21
4 VII. La Morangis ou La Plissay (Chaconne)  7’35

ANTOINE FORQUERAY
Harpsichord Suite No.4 in G minor
5 I. La Marella  2’58
6 III. La d’Aubonne (Sarabande)  5’20
MICHEL FORQUERAY 1681–1757
7 Le Papillon et la Rose  1’57

ANTOINE FORQUERAY
Suite No.5 in C minor
8 I. La Rameau  4’23
9 II. La Guignon  4’37
10 III. La Léon (Sarabande)  3’46
11 IV. La Boisson  4’44
12 V. La Montigni  5’17
13 VI. La Sylva  4’16
14 VII. Jupiter  4’13

Magdalena Malec harpsichord
anonymous, Lyon, restored Joseph Collesse, Lyon, 1748 (5–6, 9, 12)
Bruce Kennedy, 1997, after Michael Mietke (1–4, 7–8, 10–11, 13–14)
Christoph Urbanetz viola da gamba Carlo Chiesa, 2000 (1–4, 8, 10–11, 13–14)
Sara Ruiz Martínez viola da gamba continuo Carlo Chiesa, 2008 (1–4, 7–8, 10–11, 13–14)
Soetkin Elbers soprano (7)

Total time  59’27

Recording: 27–28 July 2008 (5–6, 9, 12), 1–4 March 2009 (1–4, 7–8, 10–11, 13–14), Castello di Montisi, Italy

CD14
AUGUST KÜHNEL 1645–c.1700
SONATAS OR PARTITAS FOR 1 OR
2 VIOLAS DA GAMBA (Kassel, 1701)
Sonata No.1 in F (a2)
1 [Prelude]  2’21
2 [Aria]  2’42
3 Aria  2’54
Sonata No.11
4 Prelude  1’31
Sonata No.7 in G
5 Prelude  3’06
6 Aria  2’03
7 Aria  4’10
Sonata No.10 in G minor
‘Herr Jesu Christ, du höchstes Gut’
8 Aria [variatio 1–9]  9’55
Sonata No.13
9 Prelude  1’26
Sonata No.8
10 [Prelude]  4’22
11 Aria  7’35
Sonata No.12
12 Prelude  1’47
Sonata No.2 in E minor (a2)
13 [Prelude]  1’32
14 Aria  4’27
15 Aria: Allegro  3’18
Sonata No.5 ‘Serenata’ (a2)
16 Sonatina  4’46
17 Entrata  0’46
18 Aria  0’58
19 Gavotta  0’46
20 Sarabande  1’52
21 Giga  1’04
22 Retirata  0’36

The Spirit of Gambo
Freek Borstlap viola da gamba
Ivanka Neeleman viola da gamba (1–3, 13–22)
Gesina Liedmeier viola da gamba continuo (4, 9, 12)
Richard Egarr harpsichord (5–7, 10–11)
Jan Van Outryve lute (1–3, 13–22)
Karel Smagge organ (8)

Total time  64’00

Recording: January 1997, Vereenigde Doopsgezinde Kerk, Haarlem, Netherlands

CD15
GEORG PHILIPP TELEMANN 1681–1767
SONATAS FOR VIOLIN AND BASS VIOL WITH BASSO CONTINUO
Sonata in G minor TWV42:g1
1 Adagio – Vivace – Adagio – Allegro  8’11
Sonata in G TWV42:G10
2 Cantabile – Vivace – Affettuoso – Allegro  8’08
Sonata in E TWV42:E7*
3 Siciliana – Presto – Andante – Vivace  10’16
Sonata in G minor TWV42:g10*
4 Cantabile – Allegro – Largo – Vivace  10’14
Sonata in D TWV42:D9
5 Dolce – Presto – Pastorale – Vivace  7’48
Sonata in B minor TWV42:h6
6 Largo – Vivace – Andante – Allegro  9’37
Sonata in F TWV42:F10
7 Grave – Allegro – Andante – Vivace  10’10
Sonata in G minor TWV42:g11*
8 Cantabile – Vivace – Dolce – Allegro  10’48

*world-premiere recordings

Federico Guglielmo violin
Cristiano Contadin bass viol
Roberto Loreggian harpsichord

Total time  75’50

Recording: 7–11 October 2013, Abbazia di Santa Maria delle Carceri, Padova, Italy

CD16
GEORG PHILIPP TELEMANN 1681–1767
SONATAS FOR FLUTE AND BASS VIOL WITH BASSO CONTINUO
Sonata in C minor TWV42:c6
1 Andante – Allemande – Menuet – Aria: Largo – Gigue – Réjouissance: Presto  12’36
Sonata in A minor TWV42:a7
2 Andante – Allegro – Adagio – Allegro  7’02
Sonata in F TWV42:F5*
3 Dolce – Allegro – Largo – [Without tempo marking]  8’35
Sonata in G minor TWV42:g15
4 Vivace – Cantabile – Vivace  8’12
Sonata in B minor TWV42:h4
5 Largo – Vivace – Dolce – Vivace  7’20
Sonata in G minor TWV42:g7
6 Siciliana – Allegro – Adagio – Allegro assai  7’23
Sonata in G TWV43:G10 for flute, 2 bass viols & b.c.
7 Vivace – Andante – Vivace  10’04
Sonata in G TWV43:G12 for flute, 2 bass viols & b.c.
8 Dolce – Allegro – Soave – Vivace  12’28

*world-premiere recording

Mario Folena transverse flute
Cristiano Contadin bass viol
Rodney Prada bass viol (7–8)
Federico Toffano cello (8)
Roberto Loreggian harpsichord

Total time  74’18

Recording: 11–12 November 2013, Abbazia di Santa Maria delle Carceri, Padova, Italy

CD17
GEORG PHILIPP TELEMANN
1681–1767
SONATAS FOR OBOE AND TREBLE VIOL
WITH BASSO CONTINUO
Sonata in E minor TWV42:e5
1 [Without tempo indication] – Vivace – Grave – Vivace  6’05
Sonata in G TWV42:G8
2 Soave – Allegro – Andante – Allegro  6’57
Sonata in C minor TWV42:c3
3 Gratioso – Con contento – Sospirando – Spirituoso – Vivace  9’44
Sonata in G minor TWV42:g6
4 Largo – Vivace – Andante – Presto  5’32
Sonata in A TWV42:A10
5 Cantabile – Vivace – Andante – [Without tempo marking]  6’19

SONATAS FOR RECORDER AND
TREBLE VIOL WITH BASSO CONTINUO
Sonata in G minor TWV42:g9
6 Soave ma non adagio – Vivace – Largo – Allegro  6’28
Sonata in C TWV42:C2
7 Dolce – Allegro – Grave – Vivace  7’10
Sonata in D minor TWV42:d7
8 Andante – Vivace – Adagio – [Without tempo marking]  6’07
Sonata in F TWV42:F6*
9 Vivace – Largo – Allegro  4’58
Sonata in F TWV42:F3
for recorder, bass viol & b.c.
10 Vivace – Mesto – Allegro  6’26

*world-premiere recording

Pier Luigi Fabretti oboe (1–5)
Paolo Faldi (6, 8) · Dan Laurin (7, 9, 10) recorder
Cristiano Contadin treble & bass viols
Federico Toffano (1, 3, 5) · Mauro Valli (6–10) cello
Roberto Loreggian harpsichord

Total time  66’26

Recording: 27 & 29 February (1–5) & 11–12 March (6–10) 2014, Abbazia di Santa Maria delle Carceri, Padova, Italy

CD18
GEORG PHILIPP TELEMANN 1681–1767
Concerto in A minor TWV52:a1 for recorder, viola da gamba, strings & fondamento
1 [Without tempo indication] – Allegro – Dolce – Allegro  14’34
Overture in D TWV55:D6* for viola da gamba, transverse flute, strings & b.c.
2 Ouverture – La Trompette – Sarabande – Rondeau – Bourrée – Courante-Double – Gigue  21’06
Sinfonia in F TWV50:F3 for recorder, viola da gamba, oboe, 2 cornets, 2 trombones, 2 violins, viola & b.c. 
3 Alla breve – Andante – Vivace  7’12
Concerto in A TWV51:A5 for bass viol (‘violetta’), 2 violins & b.c.
4 Soave – Allegro – Adagio – Allegro  9’57

*world-premiere recording

Dan Laurin recorder (1, 3)
Mario Folena transverse flute (2) · Paolo Faldi oboe (3)
Cristiano Contadin bass viol · Doron Sherwin, Andrea Inghisciano cornets (3)
Ermes Giussani, Mauro Morini trombones (3) · Federico Guglielmo, Claudio Combs violins
Monica Pelliciari violin (1) & viola (2) · Gianni Maraldi viola (1, 3) · Mauro Valli cello
Vanni Moretto (1, 3) · Riccardo Coelati (2, 4) double bass
Roberto Loreggian harpsichord

Total time  53’07

Recording: 22–24 February & 11–14 March 2014, Abbazia di Santa Maria delle Carceri, Padova, Italy

CD19
GEORG PHILIPP TELEMANN 1681–1767
Concerto in G minor TWV43:g2 for oboe, violin, viola da gamba & b.c.
1 Affettuoso – Vivace – Adagio – Allegro  8’37
Concerto in C TWV43:C3 for flute, viola da gamba, bassoon & harpsichord
2 Grave – Allegro – Largo – Vivace  8’37
Sonata in E TWV42:E6 for violin, viola da gamba & b.c.
3 Allegro – Largo – Allegro  9’32
Concerto in B minor TWV43:h3 for flute, viola da gamba, bassoon & b.c.
4 Adagio – Vivace – Andante – Presto  8’47
Sonata in G TWV42:G6 for harpsichord concertante, viola da gamba & b.c.
5 Andante – Allegro – Largo – Presto  8’51

Mario Folena transverse flute (2, 4)
Pier Luigi Fabretti oboe (1)
Alberto Guerra bassoon (2, 4)
Cristiano Contadin bass viol
Federico Guglielmo (1, 3), Claudio Combs (3), Monica Pelliciari (3) violins
Mauro Valli (3) · Federico Toffano (4) cello
Rodney Prada bass viol (5) · Riccardo Coelati double bass (3)
Gianmichele Costantin harpsichord (5)
Roberto Loreggian harpsichord

Total time  46’21
 
Recording: 22–24 February & 11–14 March 2014, Abbazia di Santa Maria delle Carceri, Padova, Italy

CD20
JEAN-PHILIPPE RAMEAU 1683–1764
PIÈCES DE CLAVECIN EN CONCERTS (PARIS, 1741)
Premier Concert
1 La Coulicam  3’25
2 La Livri  2’34
3 Le Vézinet  3’25
Deuxième Concert
4 La Laborde  5’20
5 La Boucon  4’43
6 L’Agaçante  2’34
7 Premier & Deuxième Menuets  4’30
Troisième Concert
8 La Poplinière  2’57
9 La Timide  5’06
10 Premier & Deuxième Tambourins  2’12
Quatrième Concert
11 La Pantomime  4’45
12 L’Indiscrète  1’22
13 La Rameau  4’07
Cinquième Concert
14 La Forqueray  4’33
15 La Cupis  5’47
16 La Marais  2’28

Musica Amphion on period instruments
Rémy Baudet baroque violin
Rainer Zipperling viola da gamba
Pieter-Jan Belder harpsichord

Total time  60’00

Recording: November 2008, Doopsgezinde Kerk, Deventer, Netherlands

CD21
JACQUES MOREL fl. c.1700–1749
COMPLETE MUSIC FOR VIOLA DA GAMBA
PREMIER LIVRE DE PIÈCES DE VIOLLE
Suite No.1 in A minor*
1 I. Prélude: Lentement – Vîte  3’47
2 II. Allemande  2’00
3 III. Courante  1’54
4 IV. Sarabande ‘L’Agréable’  3’32
5 V. Gigue  1’10
6 IV. La Bretonne: Gratieusement  3’25
7 VI. Menuets I & II  2’05
Suite No.2 in D minor
8 I. Prélude  2’03
9 II. Allemande ‘La Jolie’  1’59
10 III. Courante ‘La Dacier’  1’28
11 IV. Sarabande  3’03
12 V. Gigue ‘L’Inconstante’  1’14
13 VI. Le Follet  2’16
14 VII. La Fanchonnette  0’51
Suite No.3 in D*
15 I. Prélude  2’29
16 II. Boutade de Sainct Germain  0’58
17 III. Allemande ‘La Brillante’ & Double  2’54
18 IV. Courante  1’26
19 V. Sarabande ‘L’Aurore’  2’06
20 VI. Gigue à l’angloise  1’27
21 VII. Gavotte  1’03
22 VII. Fugue: Gayment  3’01
23 VIII. Échos de Fontainebleau  2’00
Suite No.4 in G*
24 I. Prélude: Lentement  2’00
25 II. Fantaisie: Gayement  0’57
26 III. Allemande  1’28
27 IV. Courante  1’37
28 V. Sarabande  2’20
29 VI. Gigue à l’italienne  1’20
30 VII. Rondeau ‘Dauphin’  4’18
31 VII. Menuet  0’38
32 VIII. La Guerandoise & Double  1’15
33 IX. Chaconne en trio  7’05

La Spagna
Alejandro Marías solo viola da gamba Charles Riché, 1997, after Colichon
Pablo Garrido continuo viola da gamba Judith Kraft, 1992, after Colichon
Alvaro Marías traverso Alain Weemaels, 1990, after Rottenburgh
Jordan Fumadó harpsichord Titus Crijnen, 2013, after Ruckers, ‘à grand ravalement’

Total time  71’28

Recording: 2018, Madrid, Spain