| CD1 |
| CONCERTO 1 in F major BWV 1046 |
| 1. |
Allegro |
|
3:55 |
| 2. |
Adagio |
|
4:07 |
| 3. |
Allegro |
|
4:08 |
| 4. |
Minuetto-Trio I-Polonaise-Trio II |
|
7:05 |
| CONCERTO No.2 in F major BWV 1047 |
| 5. |
Allegro |
|
4:44 |
| 6. |
Andante |
|
3:48 |
| 7. |
Allegro assai |
|
2:40 |
| CONCERTO No.3 in G major BWV 1048 |
| 8. |
Allegro |
|
5:28 |
| 9. |
Adagio (from Trio Sonata in G major BWV 1048) |
|
2:01 |
| 10. |
Allegro |
|
4:49 |
| |
|
|
|
| |
|
Total: |
43:14 |
|
| CONSORT OF LONDON, Robert Haydon Clark |
| |
| CD2 |
| CONCERTO No.4 in G major BWV 1049 |
| 1. |
Allegro |
|
6:42 |
| 2. |
Andante |
|
3:59 |
| 3. |
Presto |
|
4:33 |
| CONCERTO No.5 in D major BWV 1050 |
| 4. |
Allegro |
|
9:39 |
| 5. |
Affetuoso |
|
5:37 |
| 6. |
Allegro |
|
5:14 |
| CONCERTO No.6 in B flat major BWV 1051 |
| 7. |
Allegro |
|
5:46 |
| 8. |
Adagio ma non tanto |
|
4:59 |
| 9. |
Allegro |
|
5:37 |
| |
|
|
|
| |
|
Total: |
52:34 |
|
| CONSORT OF LONDON, Robert Hayden Clark |
| |
| CD3 |
| ORCHESTRAL SUITE No.1 in C major BWV 1066 |
| 1. |
Ouverture |
|
6:30 |
| 2. |
Courante |
|
2:06 |
| 3. |
Gavote 1 & 2 |
|
2:53 |
| 4. |
Forlane |
|
1:37 |
| 5. |
Menuet I & II |
|
2:37 |
| 6. |
Bourrée I & II |
|
2:29 |
| 7. |
Passepied I & II |
|
2:25 |
| ORCHESTRAL SUITE No.2 in B minor BWV 1067 |
| 8. |
Ouverture |
|
7:01 |
| 9. |
Rondeau |
|
1:39 |
| 10. |
Sarabande |
|
2:45 |
| 11. |
Bourée I & II |
|
1:46 |
| 12. |
Polonaise |
|
3:02 |
| 13. |
Menuet |
|
1:10 |
| 14. |
Badlinerie |
|
1:21 |
| |
|
|
|
| |
|
Total: |
39:39 |
|
| CONSORT OF LONDON, Robert Haydon Clark |
| |
| CD4 |
| ORCHESTRAL SUITE No.3 in D major BWV 1068 |
| 1. |
Ouverture |
|
1:08 |
| 2. |
Air |
|
4:44 |
| 3. |
Gavotte I & II |
|
4:25 |
| 4. |
Bourrée |
|
1:16 |
| 5. |
Gigue |
|
3:02 |
| ORCHESTRAL SUITE No.4 in D major BWV 1069 |
| 6. |
Ouverture |
|
8:12 |
| 7. |
Bourrée I & II |
|
3:15 |
| 8. |
Gavotte |
|
1:42 |
| 9. |
Menuet I & II |
|
3:25 |
| 10. |
Rejouissance |
|
2:33 |
| |
|
|
|
| |
|
Total: |
40:04 |
|
| CONSORT OF LONDON, Robert Haydon Clark |
| |
| CD5 |
| VIOLIN CONCERTO in A minor BWV 1041 |
| 1. |
Allegro |
|
3:50 |
| 2. |
Adagio |
|
6:29 |
| 3. |
Allegro |
|
3:54 |
| VIOLIN CONCERTO in E major BWV 1042 |
| 4. |
Allegro |
|
7:41 |
| 5. |
Adagio |
|
6:40 |
| 6. |
Allegro assai |
|
2:58 |
| VIOLIN CONCERTO in D minor BWV 1052 |
| 7. |
Allegro |
|
7:35 |
| 8. |
Largo |
|
6:59 |
| 9. |
Presto |
|
7:49 |
| VIOLIN CONCERTO in G minor BWV 1056 |
| 10. |
Allegro |
|
3:19 |
| 11. |
Andante |
|
3:16 |
| 12. |
Allegro assai |
|
3:36 |
| CONCERTO for 3 violins, strings & b.c. in D major BWV 1064 |
| 13. |
Allegro |
|
5:44 |
| 14. |
Adagio |
|
5:09 |
| 15. |
Allegro |
|
4:08 |
| |
|
|
|
| |
|
Total: |
79:57 |
|
| Tracks 1-12: |
| Emmy Verhey, violin/ Violine |
| Camerata Antonio Luco |
| Track 13-15: |
| Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, violin/ Violine |
| Amsterdam Bach Soloists |
| Track 1-12: |
| Recording: Beurs van Berlage, Amsterdam, 1992 - Producer: Robert Hermann |
| Tracks 13-15: |
| Recording: Maria Minor, Utrecht, The Netherlands, 1988 - Recording: Louis van Emmerik, Dirk van Dijk |
| |
| CD6 |
| CONCERTO for flute, violin, harpsichord, strings & b.c. in A minor BWV 1044 |
| 1. |
Allegro |
|
8:57 |
| 2. |
Adagio |
|
5:57 |
| 3. |
Alla breve |
|
7:29 |
| CONCERTO for oboe, violin, strings & b.c. in D minor BWV 1060 |
| 4. |
Allegro |
|
5:01 |
| 5. |
Adagio |
|
5:53 |
| 6. |
Allegro |
|
3:38 |
| CONCERTO for oboe d'amore, strings & b.c. in A major BWV 1055 |
| 7. |
Allegro |
|
4:03 |
| 8. |
Larghetto |
|
4:19 |
| 9. |
Allegro ma non tanto |
|
4:02 |
| CONCERTO for 2 violins, strings & b.c. in D minor BWV 1043 |
| 10. |
Vivace |
|
4:06 |
| 11. |
Largo |
|
7:03 |
| 12. |
Allegro |
|
5:20 |
| |
|
|
|
| |
|
Total: |
66:15 |
|
| Soloists: |
| Marieke Schneemann, flute/ Flöte (BWV 1044) |
| Liz Perry, violin/ Violine (BWV 1044) |
| Menno van Delft, harpsichord/ Cembalo (BWV 1044) |
| Daniëlle Kreeft, Oboe (BWV 1060) |
| Juditha Heberlin, violin/ Violine (BWV 1060) |
| Netherlands Bach Ensemble: |
| Juditha Heberlin, Liz Perry, violin I |
| Laslo Tucsni, violin II |
| Zoltan Benyacs, Viola |
| Rene Berman, Cello |
| Peter Jansen, double-bass/ Kontrabass |
| Krijn Koetsveld, artistic director |
| Rob Visser, Oboe d'amore (7-9) |
| Amsterdam Bach Soloists (7-9) |
| Darius Polack, Kamil Drzyzgula, violin/ Violine (10-12) |
| Lodz Chamber Orchestra, Zdzislav Szostak (10-12) |
| |
| CD7 |
| PRELUDE & FUGUE No.1 in C major/ C Dur |
| 1. |
Praeludium |
|
1:59 |
| 2. |
Fuga |
|
1:55 |
| PRELUDE & FUGUE No.2 in C minor/C Moll |
| 3. |
Praeludium |
|
1:56 |
| 4. |
Fuga |
|
2:03 |
| PRELUDE & FUGUE No.3 in C sharp major/ Cis Dur |
| 5. |
Praeludium |
|
1:40 |
| 6. |
Fuga |
|
2:54 |
| PRELUDE & FUGUE No.4 in C sharp minor/ cis Moll |
| 7. |
Praeludium |
|
1:52 |
| 8. |
Fuga |
|
3:02 |
| PRELUDE & FUGUE No.5 in D major/D Dur |
| 9. |
Praeludium |
|
1:59 |
| 10. |
Fuga |
|
2:01 |
| PRELUDE & FUGUE No.6 in D minor/ d Moll |
| 11. |
Praeludium |
|
2:00 |
| 12. |
Fuga |
|
1:37 |
| PRELUDE & FUGUE No.7 in E flat major/Es dur |
| 13. |
Praeludium |
|
3:39 |
| 14. |
Fuga |
|
2:01 |
| PRELUDE & FUGUE No.8 in E flat minor/ es Moll |
| 15. |
Praeludium |
|
5:04 |
| 16. |
Fuga |
|
5:05 |
| PRELUDE & FUGUE No.9 in E major/ E Dur |
| 17. |
Praeludium |
|
1:19 |
| 18. |
Fuga |
|
1:34 |
| PRELUDE & FUGUE No.10 in E minor/ e Moll |
| 19. |
Praeludium |
|
2:15 |
| 20. |
Fuga |
|
1:14 |
| PRELUDE & FUGUE No.11 in F major/F Dur |
| 21. |
Praeludium |
|
1:21 |
| 22. |
Fuga |
|
1:19 |
| PRELUDE & FUGUE No.12 in F minor/ f Moll |
| 23. |
Praeludium |
|
1:57 |
| 24. |
Fuga |
|
4:24 |
| |
|
|
|
| |
|
Total: |
56:21 |
|
| Leon Berben, harpsichord/ Cembalo |
| Instrument: Copy after Couchet, by Willem Kroesbergen, 1996 |
| |
| CD8 |
| PRELUDE & FUGUE No.13 in F sharp major/ Fis Dur |
| 1. |
Praeludium |
|
0:59 |
| 2. |
Fuga |
|
2:01 |
| PRELUDE & FUGUE No.14 in F sharp minor/ fis Moll |
| 3. |
Praeludium |
|
1:44 |
| 4. |
Fuga |
|
1:54 |
| PRELUDE & FUGUE No.15 in G major/ G Dur |
| 5. |
Praeludium |
|
0:54 |
| 6. |
Fuga |
|
2:50 |
| PRELUDE & FUGUE No.16 in G minor/ g Moll |
| 7. |
Praeludium |
|
1:57 |
| 8. |
Fuga |
|
2:14 |
| PRELUDE & FUGUE No.17 in a flat major/ As Dur |
| 9. |
Praeludium |
|
1:30 |
| 10. |
Fuga |
|
2:01 |
| PRELUDE & FUGUE No.18 in G sharp minor/ gis Moll |
| 11. |
Praeludium |
|
1:14 |
| 12. |
Fuga |
|
2:33 |
| PRELUDE & FUGUE No.19 in A major/ A Dur |
| 13. |
Praeludium |
|
1:47 |
| 14. |
Fuga |
|
2:39 |
| PRELUDE & FUGUE No.20 in A minor/a Moll |
| 15. |
Praeludium |
|
1:22 |
| 16. |
Fuga |
|
5:55 |
| PRELUDE & FUGUE No.21 in B flat major/ B Dur |
| 17. |
Praeludium |
|
1:31 |
| 18. |
Fuga |
|
1:42 |
| PRELUDE & FUGUE No.22 in B flat minor/ b Moll |
| 19. |
Praeludium |
|
2:28 |
| 20. |
Fuga |
|
2:03 |
| PRELUDE & FUGUE No.23 in B major/ H Dur |
| 21. |
Praeludium |
|
1:19 |
| 22. |
Fuga |
|
2:12 |
| PRELUDE & FUGUE No.24 in B minor/ h Moll |
| 23. |
Praeludium |
|
4:19 |
| 24. |
Fuga |
|
7:23 |
| |
|
|
|
| |
|
Total: |
56:41 |
|
| Leon Berben, harpsichord/ Cembalo |
| Instrument: Copy after Couchet, by Willem Kroesbergen, 1996 |
| |
| CD9 |
| PRELUDE & FUGUE No.1 in C major/C Dur |
| 1. |
Praeludium |
|
2:29 |
| 2. |
Fuga |
|
1:36 |
| PRELUDE & FUGUE No.2 in C minor/c Moll |
| 3. |
Praeludium |
|
3:30 |
| 4. |
Fuga |
|
2:06 |
| PRELUDE & FUGUE No.3 in C sharp major / Cis Dur |
| 5. |
Praeludium |
|
1:59 |
| 6. |
Fuga |
|
2:10 |
| PRELUDE & FUGUE in C sharp minor/ cis Moll |
| 7. |
Praeludium |
|
3:15 |
| 8. |
Fuga |
|
2:05 |
| PRELUDE & FUGUE No.5 in D major/ D Dur |
| 9. |
Praeludium |
|
5:32 |
| 10. |
Fuga |
|
2:13 |
| PRELUDE & FUGUE No.6 in D minor/ d Moll |
| 11. |
Praeludium |
|
1:53 |
| 12. |
Fuga |
|
1:49 |
| PRELUDE & FUGUE No.7 in E flat minor/ Es Dur |
| 13. |
Praeludium |
|
2:37 |
| 14. |
Fuga |
|
1:45 |
| PRELUDE & FUGUE No.8 in E flat minor/es Moll |
| 15. |
Praeludium |
|
4:36 |
| 16. |
Fuga |
|
3:34 |
| PRELUDE & FUGUE No.9 in E major/ E Dur |
| 17. |
Praeludium |
|
3:32 |
| 18. |
Fuga |
|
2:21 |
| PRELUDE & FUGUE No.10 in E minor/e Moll |
| 19. |
Praeludium |
|
3:47 |
| 20. |
Fuga |
|
2:53 |
| PRELUDE & FUGUE No.11 in F major/F Dur |
| 21. |
Praeludium |
|
4:52 |
| 22. |
Fuga |
|
1:29 |
| PRELUDE & FUGUE No.12 in F minor /f Moll |
| 23. |
Praeludium |
|
3:15 |
| 24. |
Fuga |
|
1:50 |
| |
|
|
|
| |
|
Total: |
69:19 |
|
| Leon Berben, harpsichord/ Cembalo |
| Instrument: Copy after Couchet, by Willem Kroesbergen, 1996 |
| |
| CD10 |
| PRELUDE & FUGUE No.13 in F sharp major/ Fis Dur |
| 1. |
Praeludium |
|
3:12 |
| 2. |
Fuga |
|
2:31 |
| PRELUDE & FUGUE No.14 in F sharp minor/ fis Moll |
| 3. |
Praeludium |
|
2:34 |
| 4. |
Fuga |
|
3:34 |
| PRELUDE & FUGUE No.15 in G major/ G Dur |
| 5. |
Praeludium |
|
3:40 |
| 6. |
Fuga |
|
1:06 |
| PRELUDE & FUGUE No.16 in G minor/ g Moll |
| 7. |
Praeludium |
|
3:31 |
| 8. |
Fuga |
|
3:29 |
| PRELUDE & FUGUE No.17 in a flat major/As Dur |
| 9. |
Praeludium |
|
3:56 |
| 10. |
Fuga |
|
3:08 |
| PRELUDE & FUGUE No.18 in G sharp minor/gis Moll |
| 11. |
Praeludium |
|
4:50 |
| 12. |
Fuga |
|
3:35 |
| PRELUDE & FUGUE No.19 in A major/ A Dur |
| 13. |
Praeludium |
|
1:49 |
| 14. |
Fuga |
|
1:52 |
| PRELUDE & FUGUE No.20 in A minor/ a Moll |
| 15. |
Praeludium |
|
4:26 |
| 16. |
Fuga |
|
1:45 |
| PRELUDE & FUGUE No.21 in B flat major/ B Dur |
| 17. |
Praeludium |
|
6:45 |
| 18. |
Fuga |
|
3:13 |
| PRELUDE & FUGUE No.22 in B flat minor/b Moll |
| 19. |
Praeludium |
|
2:35 |
| 20. |
Fuga |
|
8:11 |
| PRELUDE & FUGUE No.23 in B major/ H Dur |
| 21. |
Praeludium |
|
2:06 |
| 22. |
Fuga |
|
3:06 |
| PRELUDE & FUGUE No.24 in B minor/h Moll |
| 23. |
Praeludium |
|
2:02 |
| 24. |
Fuga |
|
1:54 |
| |
|
|
|
| |
|
Total: |
79:01 |
|
| Leon Berben, harpsichord/ Cembalo |
| Instrument: Copy after Couchet, by Willem Kroesbergen, 1996 |
| |
| CD11 |
| PARTITA No.1 in B flat major/ B Dur,BWV 825 |
| 1. |
Praeludium |
|
1:56 |
| 2. |
Allemande |
|
5:01 |
| 3. |
Corrente |
|
2:47 |
| 4. |
Sarabende |
|
4:41 |
| 5. |
Menuet I; Menuet II |
|
2:49 |
| 6. |
Giga |
|
2:21 |
| PARTITA No.2 in c minor/c Moll, BWV 826 |
| 7. |
Sinfonia |
|
4:34 |
| 8. |
Allemande |
|
5:06 |
| 9. |
Courante |
|
2:15 |
| 10. |
Sarabende |
|
3:36 |
| 11. |
Rondeaux |
|
1:33 |
| 12. |
Capriccio |
|
4:03 |
| PARTITA No.6 in E minor/ e Moll, BWV 830 |
| 13. |
Toccata |
|
6:42 |
| 14. |
Allemanda |
|
4:22 |
| 15. |
Corrente |
|
5:21 |
| 16. |
Air |
|
1:29 |
| 17. |
Sarabande |
|
6:20 |
| 18. |
Tempo di Gavotta |
|
2:04 |
| 19. |
Gigue |
|
6:28 |
| |
|
|
|
| |
|
Total: |
74:30 |
|
| Pieter-Jan Belder, harpsichord/ Cembalo |
| Instrument: Flemish harpsichord after Ruckers, by Cornelis Bom, Schoonhoven,1999 |
| |
| CD12 |
| PARTITA No.3 in A minor/ a Moll, BWV 827 |
| 1. |
Fantasia |
|
2:48 |
| 2. |
Allemande |
|
3:30 |
| 3. |
Corrente |
|
3:03 |
| 4. |
Sarabande |
|
5:12 |
| 5. |
Burlesca |
|
2:26 |
| 6. |
Scherzo |
|
1:15 |
| 7. |
Gigue |
|
4:15 |
| PARTITA No.4 in D amjor/ D Dur, BWV 828 |
| 8. |
Ouvertüre |
|
6:11 |
| 9. |
Allemande |
|
9:47 |
| 10. |
Courante |
|
3:37 |
| 11. |
Aria |
|
2:13 |
| 12. |
Sarabande |
|
6:09 |
| 13. |
Menuet |
|
1:23 |
| 14. |
Gigue |
|
3:58 |
| PARTITA No.5 in G major/ G Dur, BWV 829 |
| 15. |
Praeambulum |
|
2:41 |
| 16. |
Allemande |
|
5:53 |
| 17. |
Corrente |
|
1:57 |
| 18. |
Sarabande |
|
5:25 |
| 19. |
Tempo di Minuetto |
|
1:53 |
| 20. |
Passepied |
|
1:42 |
| 21. |
Gigue |
|
3:05 |
| |
|
|
|
| |
|
Total: |
79:32 |
|
| Pieter-Jan Belder, harpsichord/ Cembalo |
| Instrument: Flemish harpsichord after Ruckers, by Cornelis Bom, Schoonhoven, 1999 |
| |
| CD13 |
| ITALIAN CONCERTO in F major BWV 971 |
| 1. |
Allegro |
|
4:08 |
| 2. |
Largo |
|
4:49 |
| 3. |
Presto |
|
4:02 |
| OVERTURE IN THE FRENCH STYLE in B minor BWV 831 |
| 4. |
Ouvertüre |
|
7:24 |
| 5. |
Courante |
|
2:05 |
| 6. |
Gavotte I + II, da capo |
|
3:37 |
| 7. |
Passepied I + II, da capo |
|
2:57 |
| 8. |
Sarabande |
|
3:47 |
| 9. |
Bourrée I + II, da capo |
|
3:05 |
| 10. |
Gigue |
|
2:32 |
| 11. |
Echo |
|
3:02 |
| CHROMATIC FANTASY & FUGUE, in D minor BWV 903 |
| 12. |
Fantasie |
|
5:36 |
| 13. |
Fuge |
|
5:12 |
| |
|
|
|
| |
|
Total: |
52:22 |
|
| Pieter-Jan Belder, harpischord/ Cembalo |
| Instrument:Flemish harpischord after Ruckers, by Cornelis Bom, Schoonhoven, 1999 |
| Cembalo nach Ruckers, von Cornelis Bom, Schoonhoven, 1999 |
| |
| CD14 |
| GOLDBERG VARIATIONS in G major BWV 988 |
| Aria with 30 variations |
| 1. |
Aria |
|
5:02 |
| 2. |
Variatio 1 |
|
2:06 |
| 3. |
Variatio 2 |
|
1:36 |
| 4. |
Variatio 3, canone all'unisono |
|
2:00 |
| 5. |
Variatio 4 |
|
1:10 |
| 6. |
Variatio 5 |
|
1:48 |
| 7. |
Variatio 6, canone alla seconda |
|
2:03 |
| 8. |
Variatio 7 |
|
1:53 |
| 9. |
Variatio 8 |
|
2:06 |
| 10. |
Variatio 9, canone alla terza |
|
2:39 |
| 11. |
Variatio 10, fughetta |
|
1:35 |
| 12. |
Variatio 11 |
|
2:06 |
| 13. |
Variatio 12, canone alla quarta |
|
2:51 |
| 14. |
Variatio 13 |
|
4:17 |
| 15. |
Variatio 14 |
|
2:22 |
| 16. |
Variatio 15, canone alla quinta,andante |
|
4:58 |
| 17. |
Variatio 16, ouverture |
|
3:04 |
| 18. |
Variatio 17 |
|
2:02 |
| 19. |
Variatio 18, canone alla sesta |
|
1:41 |
| 20. |
Variatio 19 |
|
0:39 |
| 21. |
Variatio 20 |
|
2:15 |
| 22. |
Variatio 21, canone alla settima |
|
2:22 |
| 23. |
Variatio 22, alla breve |
|
1:29 |
| 24. |
Variatio 23 |
|
2:24 |
| 25. |
Variatio 24, canone all'ottava |
|
2:53 |
| 26. |
Variatio 25 |
|
5:21 |
| 27. |
Variatio 26 |
|
1:50 |
| 28. |
Variatio 27, canone alla nona |
|
1:02 |
| 29. |
Variatio 28 |
|
2:44 |
| 30. |
Variatio 29 |
|
2:10 |
| 31. |
Variatio 30, quodlibet |
|
2:11 |
| 32. |
Aria da capo |
|
2:34 |
| |
|
|
|
| |
|
Total: |
77:28 |
|
| Pieter-Jan Belder, harpischord/ Cembalo |
| Instrument:Flemish harpischord after Ruckers, by Cornelis Bom, Schoonhoven, 1999 |
| Cembalo nach Ruckers, von Cornelis Bom, Schoonhoven, 1999 |
| |
| CD15 |
| SUITE No.1 in A major / A dur BWV 806 |
| 1. |
Prelude |
|
2:01 |
| 2. |
Allemande |
|
5:46 |
| 3. |
Courante I |
|
1:34 |
| 4. |
Courante II |
|
2:07 |
| 5. |
Double I |
|
1:06 |
| 6. |
Double II |
|
1:10 |
| 7. |
Sarabande |
|
4:20 |
| 8. |
Bourrée I |
|
1:50 |
| 9. |
Bourrée II |
|
1:24 |
| 10. |
Bourrée da capo |
|
1:00 |
| 11. |
Gigue |
|
2:42 |
| SUITE No.2 in A minor / a Moll BWV 807 |
| 12. |
Prelude |
|
5:02 |
| 13. |
Allemande |
|
4:24 |
| 14. |
Courante |
|
1:45 |
| 15. |
Sarabande |
|
3:40 |
| 16. |
Bourrée I |
|
2:13 |
| 17. |
Bourrée II |
|
1:02 |
| 18. |
Bourrée da capo |
|
1:12 |
| 19. |
Gigue |
|
3:24 |
| SUITE No.3 in G minor /g Moll BWV 808 |
| 20. |
Prelude |
|
3:25 |
| 21. |
Allemande |
|
4:40 |
| 22. |
Courante |
|
2:20 |
| 23. |
Sarabande |
|
3:18 |
| 24. |
Gavotte I |
|
1:17 |
| 25. |
Gavotte II |
|
0:40 |
| 26. |
Gavotte da capo |
|
0:41 |
| 27. |
Gigue |
|
2:53 |
| |
|
|
|
| |
|
Total: |
67:11 |
|
| Bob van Asperen , harpsichord/ Cembalo |
| Instrument: |
| Built by Michael Johnson (Fontmell Magna, Dorset, 1979), after Goermans, Taskin, Paris 1764 |
| |
| CD16 |
| SUITE No. 4 in F major / F Dur BWV 809 |
| 1. |
Prelude |
|
4:54 |
| 2. |
Allemande |
|
4:22 |
| 3. |
Courante |
|
1:35 |
| 4. |
Sarabande |
|
3:32 |
| 5. |
Menuet I |
|
1:25 |
| 6. |
Menuet II |
|
1:30 |
| 7. |
Menuet da capo |
|
0:47 |
| 8. |
Gigue |
|
3:16 |
| SUITE No. 5 in E minor / e Moll BWV 810 |
| 9. |
Prelude |
|
5:04 |
| 10. |
Allemande |
|
4:32 |
| 11. |
Courante |
|
1:55 |
| 12. |
Sarabande |
|
3:39 |
| 13. |
Passepied I |
|
1:20 |
| 14. |
Passepied II |
|
0:51 |
| 15. |
Passepied da capo |
|
1:23 |
| 16. |
Gigue |
|
2:58 |
| SUITE No. 6 in D minor / d Moll BWV 811 |
| 17. |
Prelude |
|
8:36 |
| 18. |
Allemande |
|
4:51 |
| 19. |
Courante |
|
2:33 |
| 20. |
Sarabande |
|
2:55 |
| 21. |
Double |
|
2:45 |
| 22. |
Gavotte I |
|
1:56 |
| 23. |
Gavotte II |
|
1:33 |
| 24. |
Gavotte da capo |
|
1:02 |
| 25. |
Gigue |
|
3:36 |
| |
|
|
|
| |
|
Total: |
73:00 |
|
| Bob van Asperen, harpsichord/ Cembalo |
| Instrument: |
| Built by Michael Johnson (Fontmell Magna, Dorset, 1979), after Goermans, Taskin, Paris 1764 |
| |
| CD17 |
| 1. |
Präludium & Fuge Es-Dur/ e flat major BWV 552 |
|
14:07 |
| 2. |
Partite Sopra ö Gott, du frommer Gott"BWV 767 |
|
13:51 |
| 3. |
Fantasie & Fuge G-Moll/G minor BWV 542 |
|
10:21 |
| 4. |
Choral "Nunn komm, der heiden Heiland"BWV 659 |
|
4:28 |
| 5. |
Choral "Wachtet auf, ruft uns die Stimme"BWV 645 |
|
3:44 |
| 6. |
Choral "Ich ruf zu dir, Herr Jesu Christ" BWV 639 |
|
2:47 |
| 7. |
Toccata & Fuge D-Moll/ D minor BWV 565 |
|
8:04 |
| |
|
|
|
| |
|
Total: |
57:46 |
|
| Ton Koopman, Christian Müller Orgel |
| Waalse Kerk-Amsterdam |
| |
| CD18 |
| Dorische Toccata & Fuge BWV 538 |
| 1. |
Toccata |
|
4:48 |
| 2. |
Fuge |
|
6:42 |
| 3. |
Partita "Sei gegrüsset, Jesu gütig" BWV 768 |
|
18:12 |
| 4. |
Fantasie G-Dur/ G major BWV 572 |
|
8:08 |
| Trio-Sonate G-Dur/ G major BWV 530 |
| 5. |
Vivace |
|
3:37 |
| 6. |
Lento |
|
5:19 |
| 7. |
Allegro |
|
3:13 |
| 8. |
Choral "Vater unser im Himmelreich" BWV 682 |
|
8:09 |
| 9. |
Choral "Jesu Christus, unser Heiland" BWV 688 |
|
3:15 |
| Präludium & Fuge A-Moll/ A minor BWV 543 |
| 10. |
Präludium |
|
2:58 |
| 11. |
Fuge |
|
5:41 |
| |
|
|
|
| |
|
Total: |
70:09 |
|
| Ton Koopman, Christian Müller Orgel |
| Grote-Kerk Leeuwarden |
| |
| CD19 |
| Toccata, Adagio & Fuge C-Dur/ C major BWV 564 |
| 1. |
Toccata |
|
5:17 |
| 2. |
Adagio |
|
3:58 |
| 3. |
Fuge |
|
4:16 |
| Trio-Sonate Es-Dur/ E flat major BWV 525 |
| 4. |
Allegro moderato |
|
3:15 |
| 5. |
Adagio |
|
6:32 |
| 6. |
Allegro |
|
3:39 |
| Acht Kleine Präludien & Fugen BWV 553-560 |
| 7. |
C-Dur/ C major BWV 553 |
|
3:25 |
| 8. |
D-Moll/ D minor BWV 554 |
|
2:44 |
| 9. |
E-Moll/ E minor BWV 555 |
|
3:26 |
| 10. |
F-Dur/ F major BWV 556 |
|
2:25 |
| 11. |
G-Dur/ G major BWV 557 |
|
2:57 |
| 12. |
G-Moll/ G minor BWV 558 |
|
3:08 |
| 13. |
A-Moll/ A minor BWV 559 |
|
2:32 |
| 14. |
B-Dur/ B flat major BWV 560 |
|
3:12 |
| 15. |
Choral "Aus tiefer Not schrei'ich zu dir" BWV 686 |
|
6:32 |
| Präludium & Fuge D-Dur BWV 532 |
| 16. |
Präludium |
|
5:17 |
| 17. |
Fuge |
|
6:12 |
| |
|
|
|
| |
|
Total: |
68:50 |
|
| Ton Koopman, Garrels Orgel |
| Grote Kerk - Maassluis |
| |
| CD20 |
| SONATE No.1 in G minor/ g Moll BWV 1001 |
| 1. |
Adagio |
|
4:52 |
| 2. |
Fuga (allegro) |
|
5:34 |
| 3. |
Siciliana |
|
3:06 |
| 4. |
Presto |
|
3:24 |
| PARTITA No.1 in B minor/ h Moll BWV 1002 |
| 5. |
Allemanda |
|
5:47 |
| 6. |
Double |
|
2:31 |
| 7. |
Corrente |
|
3:14 |
| 8. |
Double, presto |
|
3:20 |
| 9. |
Sarabande |
|
2:52 |
| 10. |
Double |
|
2:08 |
| 11. |
Tempo di Borea |
|
3:46 |
| 12. |
Double |
|
3:32 |
| SONATE No.2 in A minor/ h Moll BWV 1003 |
| 13. |
Grave |
|
4:36 |
| 14. |
Fuga |
|
7:36 |
| 15. |
Andante |
|
5:13 |
| 16. |
Allegro |
|
5:57 |
| |
|
|
|
| |
|
Total: |
68:16 |
|
| Mark Lubotsky, violin/Violine (J.B. Guadagnini 1728) |
| |
| CD21 |
| PARTITA No.2 in D minor/ d Moll BWV 1004 |
| 1. |
Allemanda |
|
4:43 |
| 2. |
Corrente |
|
2:28 |
| 3. |
Sarabande |
|
4:14 |
| 4. |
Giga |
|
4:16 |
| 5. |
Ciacona |
|
14:39 |
| SONATE No.3 in C major/ C Dur BWV 1005 |
| 6. |
Adagio |
|
3:40 |
| 7. |
Fuga |
|
10:34 |
| 8. |
Largo |
|
3:10 |
| 9. |
Allegro assai |
|
5:03 |
| PARTITA No.3 in E major/ E Dur BWV 1006 |
| 10. |
Preludio |
|
3:26 |
| 11. |
Loure |
|
4:09 |
| 12. |
Gavotte & Rondeau |
|
2:48 |
| 13. |
Menuet I- menuet II- menuet I |
|
4:37 |
| 14. |
Bourrée |
|
1:15 |
| 15. |
Gigue |
|
1:58 |
| |
|
|
|
| |
|
Total: |
71:51 |
|
| Mark Lubotsky, violin/ Violine (J.B.Guadagnini 1728) |
| |
| CD22 |
| SUITE No.1 in G major/G Dur BWV 1007 |
| 1. |
Prelude |
|
2:37 |
| 2. |
Allemande |
|
3:53 |
| 3. |
Courante |
|
3:04 |
| 4. |
Sarabande |
|
4:00 |
| 5. |
Minuet I & II |
|
3:51 |
| 6. |
Gigue |
|
1:54 |
| SUITE No.3 in C major/ C Dur BWV 1009 |
| 7. |
Prelude |
|
3:57 |
| 8. |
Allemande |
|
3:59 |
| 9. |
Courante |
|
3:36 |
| 10. |
Sarabante |
|
5:39 |
| 11. |
Bourrée I & II |
|
4:45 |
| 12. |
Gigue |
|
3:35 |
| SUITE No.5 in C minor/c Moll BWV 1011 |
| 13. |
Prelude |
|
6:01 |
| 14. |
Allemande |
|
4:41 |
| 15. |
Courante |
|
1:57 |
| 16. |
Sarabande |
|
5:08 |
| 17. |
Gavotte I & II |
|
4:38 |
| 18. |
Gigue |
|
2:32 |
| |
|
|
|
| |
|
Total: |
70:50 |
|
| Robert Cohen, cello |
| |
| CD23 |
| SUITE No.2 in D minor/ d Moll BWV 1008 |
| 1. |
Prelude |
|
3:23 |
| 2. |
Allemande |
|
3:01 |
| 3. |
Courante |
|
2:02 |
| 4. |
Sarabande |
|
5:10 |
| 5. |
Minuet I & II |
|
2:47 |
| 6. |
Gigue |
|
2:34 |
| SUITE No.4 in E flat major/ Es Dur BWV 1010 |
| 7. |
Prelude |
|
3:41 |
| 8. |
Allemande |
|
3:33 |
| 9. |
Courante |
|
3:21 |
| 10. |
Sarabande |
|
5:10 |
| 11. |
Bourrée |
|
4:52 |
| 12. |
Gigue |
|
2:40 |
| SUITE No.6 in D major/D Dur BWV 1012 |
| 13. |
Prelude |
|
4:31 |
| 14. |
Allemande |
|
7:52 |
| 15. |
Courante |
|
3:41 |
| 16. |
Sarabande |
|
5:25 |
| 17. |
Gavotte I & II |
|
4:31 |
| 18. |
Gigue |
|
4:42 |
| |
|
|
|
| |
|
Total: |
75:04 |
|
| Robert Cohen, cello |
| |
| CD24 |
| MUSIKALISCHES OPFER BWV 1079 MUSICAL OFFERING |
| 1. |
Ricercare a 3 |
|
6:16 |
| 2. |
Ricercare a 6 |
|
7:25 |
| Sonata sopr'il Soggetto Reale Traversa, Violino e Continuo |
| 3. |
Largo |
|
4:10 |
| 4. |
Allegro |
|
6:22 |
| 5. |
Andante |
|
3:08 |
| 6. |
Allegro |
|
3:11 |
| Thematis Regii, Elaborationes Canonicae |
| 7. |
Canon a 2 cancrizans |
|
0:37 |
| 8. |
Canon a 2 unisono |
|
0:51 |
| 9. |
Canon a 2 motum contrarium |
|
0:59 |
| 10. |
Canon a 2 per augmentationum, contrario motu |
|
1:14 |
| 11. |
Canon a 2 per tonos |
|
2:24 |
| 12. |
Fuga canonica in Epidiapente |
|
2:17 |
| 13. |
Canon perpetuus super Thema Regium |
|
1:10 |
| 14. |
Canon a 2 |
|
1:08 |
| 15. |
Canon a 4 |
|
2:45 |
| 16. |
Canon perpetuus |
|
2:01 |
| CANONS BWV 1072-1078 |
| 17. |
Canon a 8, BWV 1072 |
|
0:24 |
| 18. |
Canon a 4, BWV 1073 |
|
0:48 |
| 19. |
Canon a 4, BWV 1074 (part I) |
|
0:34 |
| 20. |
Canon a 4, BWV 1074 (part II) |
|
0:30 |
| 21. |
Canon a 2, BWV 1075 |
|
0:25 |
| 22. |
Canon a 6, BWV 1076 |
|
0:23 |
| 23. |
Canon a 4, BWV 1077 |
|
0:42 |
| 24. |
Canon a 7, BWV 1078 |
|
1:13 |
| 25. |
Canon a 2, BWV deest |
|
0:32 |
| Verschiedene Canones über die ersten 8 Fundamental-Noten der Aria aus den Goldberg-Variationen |
| 26. |
Canon simplex |
|
0:37 |
| 27. |
All'roverscio |
|
0:27 |
| 28. |
Beide sugleich, motu recto e contrario |
|
0:32 |
| 29. |
Motu contrario e recto |
|
0:37 |
| 30. |
Canon duplex a 4 |
|
0:39 |
| 31. |
Canon simplex über besagtes Fundament a 3 |
|
0:28 |
| 32. |
Idem a 3 |
|
0:48 |
| 33. |
Canon simplex a 3 |
|
0:25 |
| 34. |
Canon in unisono post semi fugam a 3 |
|
0:28 |
| 35. |
Alio modo |
|
0:30 |
| 36. |
Evolutio |
|
0:27 |
| 37. |
Canon duplex a 5 |
|
0:35 |
| 38. |
Canon duplex a 5 |
|
0:41 |
| 39. |
Canon triplex a 6 |
|
0:25 |
| 40. |
Canon a 4 augmentationem et diminutionem |
|
0:43 |
| |
|
|
|
| |
|
Total: |
60:09 |
|
| Netherlands Bach Ensemble |
| Candy Thompson, violin/ Violine |
| Marieke Schneemann, flute/ Flöte |
| Floris Mijnders, cello/ Cello |
| David Jansen, harpsichord/ Cembalo |
| Krijn Koetsveld, organ/ conductor |
| |
| CD25 |
| Sonata No.1 in B minor/ h Moll BWV 1014 |
| 1. |
Adagio |
|
3:46 |
| 2. |
Allegro |
|
2:56 |
| 3. |
Andante |
|
3:52 |
| 4. |
Allegro |
|
2:26 |
| Sonata No.2 in A major/ A Dur BWV 1015 |
| 5. |
Without tempo indication |
|
3:29 |
| 6. |
Allegro assai |
|
3:22 |
| 7. |
Andante |
|
3:27 |
| 8. |
Presto |
|
4:45 |
| Sonata No.3 in E major/ E Dur BWV 1016 |
| 9. |
Adagio |
|
4:22 |
| 10. |
Allegro |
|
2:59 |
| 11. |
Adagio ma non tanto |
|
5:23 |
| 12. |
Allegro |
|
3:48 |
| |
|
|
|
| |
|
Total: |
44:40 |
|
| Luis Otavio Santos, baroque violin |
| Pieter-Jan Belder, harpsichord (Cornelis Bom 1999, after Ruckers) |
| |
| CD26 |
| Sonata No.4 in C minor/ c Moll BWV 1017 |
| 1. |
Siciliano, largo |
|
4:50 |
| 2. |
Allegro |
|
4:39 |
| 3. |
Adagio |
|
3:15 |
| 4. |
Allegro |
|
3:30 |
| Sonata No.5 in F minor/ f Moll BWV 1018 |
| 5. |
Largo |
|
7:03 |
| 6. |
Allegro |
|
4:42 |
| 7. |
Adagio |
|
3:19 |
| 8. |
Vivace |
|
2:35 |
| Sonata No.6 in G major/G Dur BWV 1019 |
| 9. |
Allegro |
|
3:57 |
| 10. |
Largo |
|
1:57 |
| 11. |
Allegro |
|
5:02 |
| 12. |
Adagio |
|
3:15 |
| 13. |
Allegro |
|
3:25 |
| Appendix I (3rd movement from Sonata No.6 in G major, BWV 1019a, 1rst version) |
| 14. |
Cantabile, ma un poco adagio |
|
6:57 |
| Appendix II (4rth movement from Sonata No.6 in G major, BWV 1019, 1rst version) |
| 15. |
Adagio |
|
2:23 |
| |
|
|
|
| |
|
Total: |
60:56 |
|
| Luis Otavio Santos, baroque violin |
| Pieter-Jan Belder, harpsichord (Cornelis Bom 1999, after Ruckers) |
| |
| CD27 |
| 1. |
Lobet den Herrn, alle Heiden BWV 230 |
|
6:13 |
| 2. |
Komm, Jesu, komm BWV 229 |
|
8:06 |
| 3. |
Singet den Herrn ein neues Lied BWV 225 |
|
13:05 |
| 4. |
Jesu, meine Freude BWV 227 |
|
20:29 |
| 5. |
Der Geist hilft unser Schwachheit auf BWV 226 |
|
7:29 |
| 6. |
Fürchte dich nicht, ich bin bei dir BWV 228 |
|
9:40 |
| |
|
|
|
| |
|
Total: |
65:02 |
|
| Ensemble vocal de Lausanne, Michel Corboz |
| |
| CD28 |
| EASTER OTARIO BWV 249 |
| 1. |
Sinfonia |
|
4:14 |
| 2. |
Adagio |
|
4:12 |
| 3. |
Duetto + Chorus: Kommt, eilet und laufet |
|
5:01 |
| 4. |
Recitativo: O kalter Männer Sinn |
|
0:59 |
| 5. |
Aria soprano: Seele deine Spezereien |
|
11:12 |
| 6. |
Recitativo: Hier ist die Gruft |
|
0:44 |
| 7. |
Aria tenor: Sanfte soll mein Todeskummer |
|
6:35 |
| 8. |
Recitativo: Indessen seufzen wir |
|
0:56 |
| 9. |
Aria, soprano/ alto: Saget, saget mir geschwinde |
|
7:01 |
| 10. |
Recitativo: Wir sind erfreut |
|
0:38 |
| 11. |
Chorus: Preis und Dank |
|
2:34 |
| 12. |
Chorale: Es hat mit uns nun keine Not |
|
0:43 |
| |
|
|
|
| |
|
Total: |
44:54 |
|
| Christine Berk, soprano/ Sopran |
| Anne Greiling, alto/ Alt |
| Frank Bossert, Tenor |
| Thomas Pfeiffer, Bass |
| Trompetenensemble Pfeiffer |
| Motettenchor Pforzheim |
| Südwestdeutsches Kammerorchester Pforzheim |
| Prof. Rolf Schweizer, conductor/ Dirigent |
| |
| CD1 |
| MATTHÄUS PASSION BWV 244, PRIMA PARTE |
| 1. |
1. Chorus with Chorale: Kommt, ihr Töchter,helft mir klagen |
|
6:54 |
| 2. |
2. Recitative - Evangelist, Jesus: Da Jesus diese Rede vollendet hatte |
|
0:42 |
| 3. |
3. Chorale: Herzliebster Jesu, was hast du verbrochen |
|
0:41 |
| 4. |
4a. Recitative - Evangelist: Da versammleten sich die Hohenpriester |
|
0:28 |
| 5. |
4b. Chorus: Ja nicht auf das Fest |
|
0:14 |
| 6. |
4c. Recitative - Evangelist: Da nun Jesus war zu Bethanïen |
|
0:33 |
| 7. |
4d. Chorus: Wozu dienet dieser Unrat? |
|
0:29 |
| 8. |
4e. Recitative - Evnagelist, Jesus : Da das Jesus merkete |
|
1:22 |
| 9. |
5. Recitative (Alto): Du lieber Heiland du |
|
0:51 |
| 10. |
6. Aria (Alto): Buus und Reu |
|
4:06 |
| 11. |
7. Recitative - Evangelist, Judas: Da ging hin der Zwölfen einer |
|
0:39 |
| 12. |
8. Aria (Soprano): Blute nur, du liebes Herz! |
|
4:30 |
| 13. |
9a. Recitative - Evangelist: Aber am ersten Tage der süssen Brot |
|
0:12 |
| 14. |
9b. Chorus: Wo willst du, dass wir dir bereiten |
|
0:21 |
| 15. |
9c. Recitative - Evangelist, Jesus: Er sprach: Gehet hin in die Stadt |
|
1:15 |
| 16. |
9d. Recitative - Evangelist: Und sie wurden sehr betrübt |
|
0:11 |
| 17. |
9e. Chorus: Herr, bin ich's |
|
0:13 |
| 18. |
10. Chorale: Ich bin's, ich sollte büssen |
|
0:46 |
| 19. |
11. Recitative - Evangelist, Jesus, Judas: Er antwortete und sprach |
|
2:53 |
| 20. |
12. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt |
|
1:14 |
| 21. |
13. Aria (Soprano) : Ich will dir mein Herze schenken |
|
3:20 |
| 22. |
14. Recitative - Evangelist, Jesus: Und da sie den Lobgesang gesprochen hatten |
|
1:01 |
| 23. |
15. Chorale: Erkenne mich, mein Hüter |
|
0:56 |
| 24. |
16. Recitative - Evangelist, Peter, Jesus: Petrus aber antwortete und sprach zu ihm |
|
1:01 |
| 25. |
17. Chorale: Ich will hier bei dir stehen |
|
0:58 |
| 26. |
18. Recitative - Evangelist, Jesus: Da kam Jesus mit ihnen zu einem Hofe |
|
1:36 |
| 27. |
19. Recitative (Tenor) with Chorale"O Schmerz! Hier zittert das gequälte Herz |
|
1:57 |
| 28. |
20. Aria (Tenor) with Chorus: Ich will bei meinem Jesu wachen |
|
4:59 |
| 29. |
21. Recitative - Evangelist, Jesus: Und ging hin ein wenig |
|
0:41 |
| 30. |
22. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder |
|
0:53 |
| 31. |
23. Aria (Bass): Gerne will ich mich bequemen |
|
4:07 |
| 32. |
24. Recitative - Evangelist, Jesus: Und er kam zu seinen Jüngern |
|
1:13 |
| 33. |
25. Chorale: Was mein Gott will, das g'scheh'allzeit |
|
1:02 |
| 34. |
26. Recitative - Evangelist, Judas, Jesus: Und er kam und fand sie aber schlafend |
|
2:19 |
| 35. |
27a. Aria (Soprano and Alto) with Chorus: So ist mein Jesus nun gefangen |
|
3:16 |
| 36. |
27b. Chorus: Sind Blitze, sind Donner in Wolken verschwunden |
|
1:13 |
| 37. |
28. Recitative - Evangelist, Jesus: Und siehe, einer aus denen |
|
2:14 |
| 38. |
29. Chorale: O Mensch, bewein dein Sünde gross |
|
5:54 |
| |
|
|
|
| |
|
Total: |
67:14 |
|
| Rogers Covey-Crump, tenor (Evangelist) |
| Michael George, bass (Jesus) |
| Emma Kirkby, soprano |
| Michael Chance, alto |
| Martyn Hill, tenor |
| David Thomas, bass |
| The Choir of King's College, Cambridge |
| The Choir of Jesus College, Cambridge (Soprano in ripieno) |
| The Brandenburg Consort (Leader: Roy Goodman) |
| Stephen Cleobury, conductor |
| Recording: 1994, King's College Chapel, Cambridge, UK |
| Poducer: Tini Mathot |
| Engineer: Adriaan Verstijnen, Erik Sikkema |
| |
| CD2 |
| MATTHÄUS PASSION BWV 244, PARTE SECONDA |
| 1. |
30. Aria (Alto) with Chorus: Ach! Nun ist mein Jesus hin! |
|
3:40 |
| 2. |
31. Recitative - Evangelist: Die aber Jesum gegriffen hatten |
|
1:05 |
| 3. |
32. Chorale: Mir hat die Welt trüglich gericht' |
|
0:39 |
| 4. |
33. Recitative - Evangelist, Witnesses, High Priest: Und wiewohl viel falsche Zeugen herzutraten |
|
1:12 |
| 5. |
34. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille |
|
1:05 |
| 6. |
35. Aria (Tenor): Geduld! |
|
3:29 |
| 7. |
36a. Recitative - Evangelist, High priest, Jesus: Und der Hohepriester antwortete un dsprach zu ihm |
|
1:18 |
| 8. |
36b. Chorus: Er is des Todes schuldig! |
|
0:12 |
| 9. |
36c. Recitative - Evangelist: Da speieten sie aus |
|
0:15 |
| 10. |
36d. Chorus: Weissage uns, Christe |
|
0:22 |
| 11. |
37. Chorale: Wer hat dich so geschlagen |
|
0:45 |
| 12. |
38a. Recitative - Evangelist ,Maids, Peter, Petrus aber sass draussen im Palast |
|
0:59 |
| 13. |
38b. Chorus: Wahrlich, du bist auch einer von denen |
|
0:11 |
| 14. |
38c. Recitative - Evangelist, Peter: Da hub er an, sich zu verfluchen |
|
1:17 |
| 15. |
39. Aria (Alto): Erbarme dich |
|
6:11 |
| 16. |
40. Chorale: Bin ich gleich von dir gewichen |
|
0:57 |
| 17. |
41a. Recitative - Evangelist, Judas: Des Morgens aber hielten alle Hohepriester |
|
1:03 |
| 18. |
41b. Chorus: Was gehet uns das an? |
|
0:10 |
| 19. |
41c. Recitative - Evangelist, High Priest: Und er warf die Silberlinge in den Tempel |
|
0:44 |
| 20. |
42. Aria (Bass): Geht mir meinen Jesum wieder |
|
2:58 |
| 21. |
43. Recitative - Evangelist, Pilate, Jesus: Sie halten aber einen Rat |
|
2:14 |
| 22. |
44. Chorale: Befiehl du deine Wege |
|
0:55 |
| 23. |
45a. Recitative - Evangelist, Pilate, Pilate's wife, Chorus: Auf das Fest aber hatte der Landpfleger |
|
2:08 |
| 24. |
45b. Chorus: Lass ihn kreuzigen! |
|
0:22 |
| 25. |
46. Chorale: Wie wunderbarlich ist doch diese Strafe! |
|
0:41 |
| 26. |
47. Recitative - Evangelist, Pilate: Der Landpfleger sagte |
|
0:17 |
| 27. |
48. Recitative (Soprano): Er hat uns allen wohlgetan |
|
1:05 |
| 28. |
49. Aria (Soprano): Aus Liebe will mein Heiland sterben |
|
4:38 |
| |
|
|
|
| |
|
Total: |
40:52 |
|
| Rogers Covey-Crump, tenor (Evangelist) |
| Michael George, bass (Jesus) |
| Emma Kirkby, soprano |
| Michael Chance, alto |
| Martyn Hill, tenor |
| David Thomas, bass |
| The Choir of King's College, Cambridge |
| The Choir of Jesus College, Cambridge (Soprano in ripieno) |
| The Brandenburg Consort (Leader: Roy Goodman) |
| Stephen Cleobury, conductor |
| Recording: 1994, King's College Chapel, Cambridge, UK |
| Producer: Tini Mathot |
| Engineer: Adriaan Verstijnen, Erik Sikkema |
| |
| CD3 |
| MATTHÄUS PASSION BWV 244, PARTE SECONDA |
| 1. |
50a. Recitative - Evangelist: Sie schrieen aber noch mehr |
|
0:04 |
| 2. |
50b. Chorus: Lass ihn kreuzigen! |
|
0:20 |
| 3. |
50c. Recitative - Evangelist, Pilate: Da aber Pilatus sahe |
|
0:28 |
| 4. |
50d. Chorus: Sein Blut komme über uns |
|
0:44 |
| 5. |
50e. Recitative - Evangelist: da gab er ihnen Barrabam los |
|
0:22 |
| 6. |
51. Recitative (Alto): Erbarm es Gott! |
|
0:58 |
| 7. |
52. Ario (Alto): Können Tränen meiner Wangen |
|
6:51 |
| 8. |
53a. Recitative - Evangelist: Da namen die Kriegsknechte |
|
6:51 |
| 9. |
53b. Chorus: Gegrüsset seist du, Jüdenkönig! |
|
0:11 |
| 10. |
53c. Recitative - Evangelist: Und spieeten ihn an |
|
0:13 |
| 11. |
54. Chorale:O Haupt volll Blut und Wunden |
|
1:57 |
| 12. |
55. Recitative - Evangelist: Und da sieihn verspottet hatten |
|
0:55 |
| 13. |
56. Recitative (Bass): Jafreilich will uns das Fleisch und Blut |
|
0:33 |
| 14. |
57. Aria (Bass): Komm, süsses Kreuz, so will ich sagen |
|
5:20 |
| 15. |
58a. Recitative - Evangelist: Und da sie an die Stätte kamen |
|
1:51 |
| 16. |
58b. Chorus: Der du den Tempel Gottes zerbricht |
|
0:30 |
| 17. |
58c. Recitative - Envangelist: Desgleichen auch die Hohenpriester |
|
0:10 |
| 18. |
58d. Chorus: Andern hat er geholfen |
|
0:57 |
| 19. |
58e. Recitative - Evangelist: Desgleichen schmäheten ihn auch die Mörder |
|
0:13 |
| 20. |
59. Recitative (Alto): Ach Golgatha! |
|
1:26 |
| 21. |
60. Aria (Alto) with Chorus: Sehet, Jesus hat die Hand |
|
3:24 |
| 22. |
61a. Recitative - Evangelist, Jesus: Und von der sechsen Stunde an |
|
1:20 |
| 23. |
61b. Chorus: Der rufet dem Elias |
|
0:05 |
| 24. |
61c. Recitative - Evangelist: Und bald lief einer unter ihnen |
|
0:18 |
| 25. |
61d. Chorus: Halt! Lass sehen |
|
0:07 |
| 26. |
61e. Recitative - Evangelist: Aber Jesus schriee abermal |
|
0:33 |
| 27. |
62. Chorale: Wenn ich einmal soll scheiden |
|
1:13 |
| 28. |
63a. Recitative - Evangelist: Und siehe da, der Vorhang im Tempel zerriss |
|
1:08 |
| 29. |
63b. Chorus: Wahrlich, dieser ist Gottes Sohn gewesen |
|
0:21 |
| 30. |
63c. Recitative - Evangelist: Und es waren viel Weiber da |
|
1:20 |
| 31. |
64. Recitative (Bass): Am Abend, da s kühle war |
|
1:59 |
| 32. |
65. Aria (Bass): Mache dich, mein Herze, rein |
|
6:19 |
| 33. |
66a. Recitative - Evangelist: Und Joseph nahm den Leib |
|
1:03 |
| 34. |
66b. Chorus: Herr, wir haben gedacht |
|
0:59 |
| 35. |
66c. Recitative - Evangelist, Pilate: Pilatus sprach zu ihnen |
|
0:39 |
| 36. |
67. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht |
|
1:52 |
| 37. |
68. Chorus: Wir setzen uns mit Tränen nieder |
|
5:32 |
| |
|
|
|
| |
|
Total: |
52:56 |
|
| Michael George, bass (Jesus) |
| Emma Kirkby, soprano |
| Michael Chance, alto |
| Martyn Hill, tenor |
| David Thomas, bass |
| The Choir of King's College, Cambridge |
| The Choir of Jesus College, Cambridge (Soprano in ripieno) |
| The Brandenburg Consort (Leader: Roy Goodman) |
| Stephen Cleobury, conductor |
| Recording: 1994, King's College Chapel, Cambridge, UK |
| Producer: Tini Mathot |
| Engineer: Adriaan Verstijnen, Erik Sikkema |
| |
| CD4 |
| JOHANNES PASSION BWV 245 |
| 1. |
Chorus: Herr, unser Herrscher |
|
8:33 |
| 2. |
Recitative: Jesus ging mit seinem Jüngern |
|
2:28 |
| 3. |
Chorale: O grosse Lieb |
|
0:47 |
| 4. |
Recitative: Auf dass das wort erfüllet wurde |
|
1:07 |
| 5. |
Chorale: Dein will gescheh, Herr Gott, zugleich |
|
0:55 |
| 6. |
Recitative: Die Schar aber und der Oberhauptmann |
|
0:53 |
| 7. |
Aria (Alto): Von der Stricken meiner Sünden |
|
4:45 |
| 8. |
Recitative: Simon Petrus aber folgete Jesu nach |
|
0:15 |
| 9. |
Aria (Soprano): Ich folge dir gleichfalls mit freudigen Schritten |
|
3:51 |
| 10. |
Recitative: Derselbige Jünger war dem Hohenpriester bekannt |
|
3:14 |
| 11. |
Chorale: Wer hat dich so geschlagen |
|
1:38 |
| 12. |
Recitative: Und Hannas sandte ihn gebunden |
|
2:27 |
| 13. |
Aria (Tenor): Ach, mein Sinn |
|
2:27 |
| 14. |
Chorale: Petrus, der nicht denkt zürruck |
|
1:02 |
| 15. |
Chorale: Christus, der uns selig macht |
|
1:02 |
| 16. |
Recitative: Da fühtreten sie Jesum |
|
4:16 |
| 17. |
Chorale: Ach grösser König |
|
1:29 |
| 18. |
Recitative: Da sprach Pilatus zu ihm |
|
1:59 |
| 19. |
Arioso (Bass): Betrachte, meine Seele |
|
2:29 |
| 20. |
Aria (Tenor): Erwäge, wie sein blutgefärbter Rücken |
|
8:42 |
| 21. |
Recitative: nd die Kriegsknechte flochten einen Krone |
|
5:44 |
| 22. |
Chorus: Durch dein Gefängnis, Gottes Sohn |
|
0:53 |
| 23. |
Recitative: Die Juden aber schrieen und sprachen |
|
4:14 |
| 24. |
Aria (bass): Eilt, ihr angefochten Seelen |
|
4:04 |
| 25. |
Recitative: Allda kreuzigten sie ihn |
|
2:12 |
| 26. |
Chorale: In meines Herzens Grunde |
|
1:06 |
| |
|
|
|
| |
|
Total: |
72:58 |
|
| John Mark Ainsley, tenor (Evangelist) |
| Stephen Richardson, bass (Jesus) |
| Catherine Bott, soprano |
| Michael Chance, alto |
| Paul Agnew, tenor |
| Stephen Varcoe, bass |
| The Choir of King's College, Cambridge |
| The Brandenburg Consort (Leader: Roy Goodman) |
| Stephen Cleobury, conductor |
| Recording: 18-21 March 1996, King's College Chapel, |
| Cambridge, UK |
| Producer: Tini Mathot; Engineer: Adriaan Verstijnen |
| |
| CD5 |
| JOHANNES PASSION BWV 245 |
| 1. |
Recitative: Die Kriegsknechte aber |
|
3:56 |
| 2. |
Chorale: Er nahm alles wohl in acht |
|
0:59 |
| 3. |
Recitative: Und von Stund an nahm sie der Jünger |
|
1:30 |
| 4. |
Aria (Alto): Es ist volbracht! |
|
5:28 |
| 5. |
Recitative: Und neiget das Haupt und verschied |
|
0:26 |
| 6. |
Aria (Bass): Mein teurer Heiland, lass dich fragen |
|
4:42 |
| 7. |
Recitative: Und siehe da, der Vorhang im Tempel zerris |
|
0:31 |
| 8. |
Arioso (Tenor): Mein Herz, in dem die ganze Welt |
|
0:57 |
| 9. |
Aria (Soprano): Zerfliesse, mein Herze |
|
7:09 |
| 10. |
Recitative: Die Juden aber, dieweil es der Rüsttag war |
|
2:17 |
| 11. |
Chorale: O hilf, Christe, Gottes Sohn |
|
0:56 |
| 12. |
Recitative: Darnach bat Pilatum Joseph von Arimathia |
|
2:16 |
| 13. |
Chorus: Ruht wohl, ihr heiligen Gebeine |
|
6:23 |
| 14. |
Chorale: Ach Herr, lass dein lieb Engelein |
|
1:41 |
| JOHANNES PASSION (1725) Appendix |
| 15. |
Chorale: O Mensch, bewein dein Sünde gross |
|
5:40 |
| 16. |
Aria (Bass): Himmel reisse, Welt erbebe |
|
2:52 |
| 17. |
Aria (Tenor): Zerschmettert mich |
|
5:24 |
| 18. |
Aria (Tenor): Ach windet euch nicht so |
|
6:07 |
| 19. |
Chorale: Christe, du Lamm Gottes |
|
4:01 |
| |
|
|
|
| |
|
Total: |
65:14 |
|
| John Mark Ainsley, tenor (Evangelist) |
| Stephen Richardson, bass (Jesus) |
| Catherine Bott, soprano |
| Michael Chance, alto |
| Paul Agnew, tenor |
| Stephen Varcoe, bass |
| The choir of King's College, Cambridge |
| The Brandenburg Consort (Leader: Roy Goodman) |
| Stephen Cleobury, conductor |
| Recording: 18-21 March 1996, King's College Chapel, |
| Cambridge, UK |
| Producer: Tini Mathot; Engineer: Adriaan Verstijnen |
| |
| CD34 |
| I. Ein feste Burg ist unser Gott BWV 80 |
| At the feast of Reformation Zum Reformationstag |
| 1. |
1. Coro Ein feste Burg ist unser Gott |
|
5:18 |
| 2. |
2. Aria (Soprano, Basso) Mit unser Macht |
|
3:56 |
| 3. |
3. Recitativo (Basso) Erwäge doch, Kind Gottes |
|
1:56 |
| 4. |
4. Aria (Soprano) Komm in mein Herzenshaus |
|
3:16 |
| 5. |
5. Choral (Coro) Und wenn die Welt voll Teufel wär |
|
3:47 |
| 6. |
6. Recitativo (Tenore So stehe denn bei Christi) |
|
1:24 |
| 7. |
7. Duetto (Alto, Tenore) Wie selig sind doch die |
|
4:01 |
| 8. |
8. Choral (Coro) Das Wort sie sollen lassen stahn |
|
1:03 |
| II. Ich habe genug BWV 82 |
| At the Feast of the Purification |
| Am Feste Mariae Reinigung |
| 9. |
1. Aria (Basso) Ich habe genug |
|
7:51 |
| 10. |
2. Recitativo (Basso) Ich habe genug |
|
1:12 |
| 11. |
3. Aria (Basso) Schlummert ein, ihr matten Augen |
|
9:24 |
| 12. |
4. Recitativo (Basso) Mein Gott!Wann kommt das schöne |
|
0:52 |
| 13. |
5. Aria (Basso) Ich freue mich auf meinen Tod |
|
3:43 |
| III. Nun komm, der Heiden Heiland BWV 61 |
| At the 1st Sunday of Advent |
| Am 1. Advent |
| 14. |
1. Ouvertüre (Coro) Nun komm, der Heiden Heiland |
|
3:10 |
| 15. |
2. Recitativo (Tenore) Der Heiland ist gekommen |
|
1:33 |
| 16. |
3. Aria (Tenore) Komm, Jesu, komm zu deiner Kirche |
|
3:59 |
| 17. |
4. Recitativo (Basso) Siehe, ich stehe vor der Tür |
|
0:46 |
| 18. |
5. Aria (Soprano) Öffne dich, mein ganzes Herze |
|
3:47 |
| 19. |
6. Choral (Coro) Amen, Amen! |
|
1:00 |
| |
|
|
|
| |
|
Total: |
62:06 |
|
| Holland Boys Choir |
| Netherlands Bach Collegium |
| Ruth Holton, soprano |
| Sytse Buwalda, alto |
| Knut Schoch, tenor |
| Bas Ramselaar, bass |
| Pieter Jan Leusink, conductor |
| BWV 80 |
| John Wilson Meyer, violin |
| Peter Frankenberg, oboe |
| Frank Wakelkamp, cello |
| Martin Mans, church organ |
| BWV 82 |
| Peter Frankenberg, oboe |
| |
| |
| CD35 |
| I. Gottes Zeit ist die allerbeste Zeit (Actus tragicus) |
| Unspecified occasion/ Ohne Bestimmung |
| 1. |
1. Sonatina |
|
2:43 |
| 2. |
2a. Gottes Zeit ist die allerbeste Zeit, b. Arioso (Tenore) Ach Herr, lehre uns, c. Arioso (Basso) B |
|
9:16 |
| 3. |
3. Arioso (Alto) In deine Hände Arioso, Choral (Alto, Basso) Heute wirst du mit mir |
|
6:39 |
| 4. |
4. Coro Glorie, Lob, Ehr und Herrlichkeit |
|
2:51 |
| II. Mein Herze schwimmt in Blut BWV 199 |
| At the 11th Sunday after Trinity |
| Am.11 Sonntag nach Trinitatis |
| 5. |
1. Recitativo (Soprano) Mein Herze schwimmt in Blut |
|
2:08 |
| 6. |
2. Aria (Soprano) Stumme Seufzer, stille Klagen |
|
6:51 |
| 7. |
3. Recitativo (Soprano) Doch Gott muB mir genädig sein |
|
1:04 |
| 8. |
4. Aria (Soprano) Tief gebückt und voller Reue |
|
9:00 |
| 9. |
5. Recitativo (Soprano) Auf diese Schmerzensreu |
|
0:14 |
| 10. |
6. Choral (Soprano) Ich, dein betrübtes Kind |
|
1:57 |
| 11. |
7. Recitativo (Soprano) Ich lege mich in diese Wunden |
|
0:48 |
| 12. |
8. Aria (Soprano) Wie freudig ist mein Herz |
|
2:26 |
| III. Komm, du süBe Todesstunde BWV 161 |
| At the Sunday Estomihi |
| Am Sonntag Estomihi |
| 13. |
1. Aria (Alto) Komm, du süBe Todesstunde |
|
4:43 |
| 14. |
2. Recitativo (Tenore) welt, deine Lust ist Last |
|
1:51 |
| 15. |
3. Aria (Tenore) Mein Verlangen |
|
5:44 |
| 16. |
4. Recitativo (Alto) Der SchluB ist schon gemacht |
|
2:16 |
| 17. |
5. Coro, Wenn es meines Gottes Wille |
|
3:38 |
| 18. |
6. Choral (Coro) Der Leib zwar in der Erden |
|
1:23 |
| |
|
|
|
| |
|
Total: |
65:42 |
|
| Holland Boys Choir |
| Netherlands Bach Collegium |
| Ruth Holton, soprano |
| BWV 199 & 161 |
| Marjon Strijk, soprano |
| BW 106 |
| Sytse Buwalda, alto |
| Knut Schoch, tenor |
| Bas Ramselaar, bass |
| Pieter Jan Leusink, conductor |
| BWV 106 |
| Anneke Boeke, recorder |
| Katherin Steddon, recorder |
| Freek Borstlap, viola da gamba |
| Ivanka Neeleman, viola da gamba |
| BWV 199 |
| Peter Frankenberg, oboe |
| Frank Wakelkamp, cello piccolo (6) |
| BWV 161 |
| Anneke Boeke, recorder |
| Katherin Steddon, recorder |
| Frank Wakelkamp, cello piccolo (6) |
| |
| CD36 |
| Man singet mit |
| Freuden vom Sieg BWV 149 |
| At the feast of St Michael |
| Am Michaelisfest |
| 1. |
1. Coro, Man singet mit Freuden vom Sieg |
|
4:06 |
| 2. |
2. Aria (Basso) Kraft und stärke sei gesungen |
|
2:47 |
| 3. |
3. Recitativo (Alto) Ich fürchte mich |
|
0:46 |
| 4. |
4. Aria (Soprano) Gottes Engel weichen nie |
|
5:17 |
| 5. |
5. Recitativo (Tenore) Ich danke dir, mein lieber Gott |
|
0:37 |
| 6. |
6. Aria (Duetto: Alto, Tenore) Seid Wachsam, ihr heiligen Wächter |
|
3:35 |
| 7. |
7. Choral (Coro) Ach Herr, laB dein lieb Engelein |
|
1:42 |
| II. Lobe den Herrn, meine Seele BWV 69 |
| For the Town Council Inauguration |
| Ratswechsel |
| 8. |
1. Recitativo (Soprano) Wie groB ist Gottes Güte doch |
|
1:23 |
| 9. |
2. Aria (Alto) Mein Seel, auf , erzähle |
|
5:59 |
| 10. |
3. Recitativo (Tenore) Der Herr hat groBe Ding |
|
2:18 |
| 11. |
4. Choral (Coro) Es danke, Gott, und lobe dich |
|
1:23 |
| III. Gott soll allein mein Herze haben BWV 169 |
| At the 18th Sunday after Trinity |
| Am 18. Sonntag nach Trinitatis |
| 12. |
1. Sinfonia |
|
7:36 |
| 13. |
2. Arioso, Recitativo (Alto) Gott soll allein mein Herze haben |
|
2:21 |
| 14. |
3. Aria (Alto) Gott soll allein mein Herze haben |
|
6:38 |
| 15. |
4. Recitativo (Alto) Was ist die Liebe Gottes? |
|
0:46 |
| 16. |
5. Aria (Alto) Stirb in mir |
|
4:37 |
| 17. |
6. Recitativo (Alto) Doch meint es auch |
|
0:25 |
| 18. |
7. Choral (Coro) Du süBe Liebe |
|
1:08 |
| |
|
|
|
| |
|
Total: |
53:36 |
|
| Holland Boys Choir |
| Netherlands Bach Collegium |
| Ruth Holton, soprano |
| Sytste Buwaldo, alto |
| Nico van der Meel, tenor |
| (BWV 69) |
| Knut Schoch, tenor |
| (BWV 149) |
| Bas Ramselaar, bass |
| Pieter Jan Leusink, conductor |
| BWV 149 |
| Trudy van der Wulp, bassoon (1,2,6) |
| Maggie Urquhart, violine (2) |
| BWV 69 |
| Peter Frankenberg, oboe (2) |
| John Wilson Meyer, violin (2) |
| BWV 169 |
| Rien Voskuilen, organ (1) |
| Vaughan Schlepp, organ (3,5) |
| |
| CD37 |
| I. Bleib bei uns, denn es will Abend werden BWV 6 |
| On the 2nd day of Easter |
| Am 2. Osterfeiertag |
| 1. |
1. Coro, Bleib bei uns, denn es will Abend |
|
6:59 |
| 2. |
2. Aria (Alto) Hochgelobter Gottessohn |
|
4:03 |
| 3. |
3. Choral (Soprano) Ach bleib bei uns, Herr Jesu Christ |
|
4:17 |
| 4. |
4. Recitativo (Basso) Es hat die Dunkelheit |
|
0:44 |
| 5. |
5. Aria (Tenore) Jesu, laB uns auf dich sehen |
|
3:44 |
| 6. |
6. Choral (Coro) Beweis dein Macht, Herr Jesu Christ |
|
0:51 |
| II. Nur jedem das Seine BWV 163 |
| At the 23rd Sunday after Trinity |
| Am 23. Sonntag nach Trinitatis |
| 7. |
1. Aria (Tenore) Nur jedem das Seine |
|
3:51 |
| 8. |
2. Recitativo (Basso) Du bist, mein Gott |
|
1:32 |
| 9. |
3. Aria (Basso) LaB mein Herz die Münze sein |
|
3:27 |
| 10. |
4. Recitativo (Soprano, Alto) Ich wollte dir, o Gott |
|
2:32 |
| 11. |
5. Aria (Duetto, Alto) Nimm mich mir |
|
3:14 |
| 12. |
6. Choral (Coro) Führ auch mein Herz |
|
0:58 |
| III. Herr Christ, der einge Gottessohn BWV 96 |
| At the 18th Sunday after Trinity |
| Am 18. Sonntag nach Trinitatis |
| 13. |
1. Coro, herr Christ der einge Gottessohn |
|
5:37 |
| 14. |
2. Recitativo (Alto) O Wunderkraft der Liebe |
|
1:17 |
| 15. |
3. Aria (Tenore) Ach, ziehe die Seele |
|
7:22 |
| 16. |
4. Recitativo (Soprano) Ach, führe mich, o Gott |
|
0:49 |
| 17. |
5. Aria (Basso) Bald zur Rechten, bald zur Linken |
|
2:29 |
| 18. |
6. Choral (Coro) Ertöt uns durch dein Güte |
|
0:54 |
| |
|
|
|
| |
|
Total: |
54:52 |
|
| Holland Boys Choir |
| Netherlands Bach Collegium |
| Ruth Holton, soprano |
| Sytse Buwaldo, alto |
| Nico van der Meel, tenor |
| Bas Ramselaar, bass |
| Pieter Jan Leusink, conductor |
| BWV 6 |
| Peter Frankenberg, oboe (1,3) |
| Ofer Frenkel, oboe (1) |
| Kristin Linde, oboe (1) |
| Frank Wakelkamp, cello piccolo (3) |
| Thom Pitt, cello (3) |
| BWV 163 |
| Frank Wakelkamp, cello (3) |
| Thom Pitt, cello (3) |
| BWV 96 |
| Anneke Boeke, flauto piccolo (1) |
| Peter Frankenberg, oboe (1,5) |
| Kristin Linde, oboe (1,5) |
| Marion Moonen, traverso (3) |
| |
| CD38 |
| I. O Ewigkeit, du Donnerwort BWV 60 |
| At the 24th Sunday after Trinity |
| Am 24. Sonntag nach Trinitatis |
| 1. |
1. Aria (Duetto: Alto, tenore) O Ewigkeit, du Donnerwort |
|
3:54 |
| 2. |
2. Recitativo (Alto, Tenore) O schwerer Gang |
|
2:10 |
| 3. |
3. Aria (Duetto: Alto, Tenore) Mein letztes Lager will mich |
|
3:31 |
| 4. |
4. Recitativo (Alto, Basso) Der Tod bleibt doch |
|
4:42 |
| 5. |
5. Choral (Coro) Es ist genug, Herr |
|
1:18 |
| II. Jesu, der du meine Seele BWV 78 |
| At the 14th Sunday after Trinity |
| Am 14. Sonntag nach Trinitatis |
| 6. |
1. Coro, Jesu, der du meine Seele |
|
5:11 |
| 7. |
2. Aria (Duetto: Soprano, Alto) Wir eilen mit schwachen |
|
5:01 |
| 8. |
3. Recitativo (Tenore) Ach!Ich bin ein Kind der Sünden |
|
2:10 |
| 9. |
4. Aria (Tenore) Das Blut, so meine Schuld |
|
3:23 |
| 10. |
5. Recitativo (Basso) Die Wunden, Nägel, Kron und Grab |
|
2:29 |
| 11. |
Aria (Basso) Nun, du wirst mein Gewissen stillen |
|
3:09 |
| 12. |
7. Choral (Coro) Herr, ich glaube, hilf mir Schwachen |
|
1:07 |
| III. SüBer Trost, mein Jesus kömmt BWV 151 |
| At the 3rd Sunday of Christmas |
| Am 3. Weihnachtstag |
| 13. |
1. Aria (Soprano) SüBer Trost, mein Jesus kömmt |
|
8:22 |
| 14. |
2. Recitativo (Basso) Erfreue dich, mein Herz |
|
1:09 |
| 15. |
3. Aria (Alto) In Jesu Demut kann ich Trost |
|
5:20 |
| 16. |
4. Recitativo (Tenore) Du teurer Gottessohn |
|
0:50 |
| 17. |
5. Choral (Coro) Heut schleuBt er wieder auf die Tür |
|
0:40 |
| |
|
|
|
| |
|
Total: |
54:38 |
|
| Holland Boys Choir |
| Netherlands Bach Collegium |
| Ruth Holton, soprano |
| Sytse Buwalda, alto |
| Marcel Beekman, tenor |
| (BWV 60) |
| Nico van der Meel, tenor |
| (BWV 78, 151) |
| Bas Ramselaar, bass |
| Pieter Jan Leusink, conductor |
| BWV 60 |
| John Wilson Meyer, violin (3) |
| Peter Frankenberg, oboe (1,3) |
| Vincent van Ballegooien, oboe (1) |
| BWV 78 |
| Peter Frankenberg, oboe (1,6) |
| Kristin Linde, oboe (1) |
| Doretthe Jannsens, traverso (1) |
| Kate Clark, traverso (4) |
| Maggie Urquhart, violone (2) |
| Frank Wakelkamp, cello (2) |
| BWV 151 |
| Peter Frankenberg (1,3) |
| Marion Moonen, traverso (1) |
| |
| CD39 |
| I. Dem Gerechten muB das Licht immer wieder aufgehen BWV 195 |
| Wedding cantata |
| Trauungskantate |
| 1. |
1. Coro (Soprano, Alto, Tenore, Basso) Dem Gerechten muB das Licht |
|
4:59 |
| 2. |
2. Recitativo (Basso) Dem Freudenlicht gerechter Frommen |
|
1:22 |
| 3. |
3. Aria (Basso) Rühmet Gottes Güt und Treu! |
|
4:54 |
| 4. |
4. Recitativo (Soprano) Wohlan, so knüpfet denn ein Band |
|
1:13 |
| 5. |
5. Coro (Soprano, Alto, Tenore, Basso) Wir kommen, deine Heilgkeit Nach der Trauung |
|
6:42 |
| 6. |
6. Choral (Coro) Nun danket all und bringet Ehr |
|
1:11 |
| II. Wie schön leuchtet der Morgenstern BWV 1 |
| For the Feast of Annunciation |
| Zu Mariae Verkündigung |
| 7. |
1. Coro, We schön leuchtet der Morgenstern |
|
7:18 |
| 8. |
2. Recitativo (Tenore) Du wahrer Gottes und Marien Sohn |
|
1:09 |
| 9. |
3. Aria (Soprano) Erfüllet, ihr himmlischen |
|
5:21 |
| 10. |
4. Recitativo (Basso) Ein irdscher Glanz |
|
1:00 |
| 11. |
5. Aria (Tenore) Unser Mond und Ton der Saiten |
|
7:05 |
| 12. |
6. Choral (Coro)Wie bin ich doch so herzlich froh |
|
1:15 |
| III. Christen, ätzet diesen Tag BWV 63 |
| On the 1st day of Christmas |
| Am 1. Weihnachtstag |
| 13. |
1. Coro, Christen ätzet diesen Tag |
|
5:14 |
| 14. |
2. Recitativo (Alto) O selger Tag! |
|
2:58 |
| 15. |
3. Duetto (Soprano, Basso) Gott, du hast es wohl gefüget |
|
7:42 |
| 16. |
4. Recitativo (Basso) So kehret sich nun heut |
|
0:51 |
| 17. |
5. Duetto (Alto, Tenore) Ruft und fleht den Himmel an |
|
3:58 |
| 18. |
6. Recitativo (Basso) Verdoppelt euch demnach |
|
1:05 |
| 19. |
7. Coro Höchster, schau in Gnaden an |
|
6:24 |
| |
|
|
|
| |
|
Total: |
72:08 |
|
| Holland Boys Choir |
| Netherlands Bach Collegium |
| Marjon Strijk, soprano |
| Sytse Buwalda, alto |
| Martinus Leusink, tenor (BWV 195) |
| Nico van der Meel, tenor (BWV 63) |
| Knut Schoch, tenor (BWV 1) |
| Bas Ramselaar, bass |
| Pieter Jan Leusink, conductor |
| BWV 195 |
| Peter Frankenberg, oboe (1,4,5) |
| Ofer Frenkel, oboe (4) |
| Kristin Linde, oboe (1,5) |
| Kate Clark, traverso (4) |
| Doretthe Janssens, traverso (1,4,5) |
| Oeds van Middelkoop, traverso (1,5) |
| Susan Williams, tromba |
| Will Wroth, tromba |
| Geerten Rooze, tromba |
| Martin Geesinck, timpani |
| Frank Wakelkamp, cello (2) |
| Rien Voskuilen, organ (2) |
| BWV 1 |
| John Wilson Meyer, violin (1,5) |
| Laura Johnson, violin (1,5) |
| Peter Frankenberg, oboe (1,3,6) |
| Vincent van Ballegooien, oboe (1,6) |
| Teunis van der Zwart, natural horn |
| Erwin Wieringa, natural horn |
| Frank Wakelkamp, cello (2,3,4) |
| Vaughan Schlepp, organ (2,3,4) |
| BWV 63 |
| Eduard Wesley (1,7) |
| Vincent van Ballegooien, oboe (1,7) |
| Peter Frankenberg, oboe (3,6) |
| Ofer Frenkel, oboe (6) |
| Kristin Linde, oboe (6) |
| Susan Williams, tromba |
| Will Troth, tromba |
| Geerten Rooze, tromba |
| David Kjar, tromba |
| Frank Aarnink, timpani |
| Frank Wakelkamp, cello (3,4) |
| Vaughan Schlepp, organ (3) |
| Stephan Taylor (4) |
| |
| CD40 |
| I. Herz und Mund und Tat und Leben BWV 147 |
| For the Feast of Visitation |
| Mariae Heimsuchung |
| Prima Parte |
| 1. |
1.Coro, Herz und Mund und Tat und Leben |
|
4:29 |
| 2. |
2. Recitativo (Tenore) Gebenedeiter Mund! |
|
1:54 |
| 3. |
3. Aria (Alto) Schäme dich, o Seele, nicht |
|
3:25 |
| 4. |
4. Recitativo (Basso) Verstockung kann Gewaltige |
|
1:40 |
| 5. |
5. Aria (Soprano) Bereite dir, Jesu |
|
4:37 |
| 6. |
6. Choral (Coro) Wohl mir, daB ich Jesum habe |
|
2:56 |
| Seconda Parte |
| 7. |
7. Aria (Tenore) Hilf, Jesu, hilf |
|
3:23 |
| 8. |
8. Recitativo (Alto) Der höchsten Allmacht |
|
2:05 |
| 9. |
9. Aria (Basso) Ich will von Jesu Wundern singen |
|
2:58 |
| 10. |
10. Choral (Coro) Jesu bleibet meine Freude |
|
3:11 |
| II. Leichtgesinnte Flattergeister BWV 181 |
| At the Sunday Sexagesimae |
| Am Sonntag Sexagesimae |
| 11. |
1. Aria (Basso) Leichtgesinnte Flattergeister |
|
3:35 |
| 12. |
2. Recitativo (Alto) O unglückselger Stand |
|
1:49 |
| 13. |
3. Aria (Tenore) Der schädlichen Dornen |
|
3:31 |
| 14. |
4. Recitativo (Soprano) Von diesen wird die Kraft erstickt |
|
0:43 |
| 15. |
5. Coro LaB, Höchster, uns zu allen Zeiten |
|
5:12 |
| III. Erfreut each ihr herzen BWV 66 |
| On the 2nd day of Easter |
| Am 2. Ostertag |
| 16. |
1. Coro, Erfreut euch, ihr Herzen |
|
10:02 |
| 17. |
2. Recitativo (Basso) Es bricht das Grab |
|
0:37 |
| 18. |
3. Aria (Basso) Lasset dem Höchsten ein Danklied |
|
6:48 |
| 19. |
4. Recitativo (Alto, Tenore) Bei Jesu Leben freudig sein |
|
4:29 |
| 20. |
5. Duetto (Alto, Tenore) Ich furchte zwar |
|
7:18 |
| 21. |
6. Choral (Coro) Alleluja!Alleluja!Alleluja! |
|
0:39 |
| |
|
|
|
| |
|
Total: |
75:21 |
|
| Holland Boys Choir |
| Netherlands Bach Collegium |
| Ruth Holton, soprano (BWV 147) |
| Marjon Strijk, soprano (BWV 181) |
| Sytse Buwalda, alto |
| Nico van der Meel, tenor (BWV 66, 181) |
| Knut Schoch, tenor (BWV 147) |
| Bas Ramselaar, bass |
| Pieter Jan Leusink, conductor |
| BWV 147 |
| John Wilson Meyer, violin (5) |
| Peter Frankenberg, oboe (1,8) |
| Eduard Wesley, oboe (1,3) |
| Kristin Linde, oboe (8) |
| Susan Williams, tromba |
| Frank Wakelkamp, cello (3,4,5,7) |
| Maggie Urquhart, violone (7) |
| Trudy van der Wulp, bassoon (8) |
| Rien Voskuilen, organ (3) |
| Vaughan Schlepp, organ (4,5,7) |
| Stephen Taylor, organ (8) |
| BWV 181 |
| Peter Frankenberg, oboe (1,5) |
| Susan Williams, tromba |
| Frank Wakelkamp, cello (2,3,4) |
| Vaughan Schlepp, organ (2,4) |
| Stephan Taylor, organ (3) |
| BWV 66 |
| Pierre Mak, bass (1) |
| John Wilson Meyer, violin (5) |
| Peter Frankenberg, oboe (1,3) |
| Vincent van Ballegooien, oboe (1) |
| Ofer Frenkel, oboe (3) |
| Susan Williams, tromba |
| Frank Wakelkamp, cello (4,5) |
| Stephan Taylor, organ (4) |
| Rien Voskuilen, organ (5) |